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    <lastmod>2025-11-07</lastmod>
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      <image:caption>“We often say that we’re prototyping the abolitionist imagination at Crenshaw Dairy Mart and thinking about abolition in a two-pronged way: dismantling oppressive systems and then building new systems that serve us. The way we approach abolition emphasizes the “low and slow of it all,” as our co-founder noé [olivas] likes to say, and leans into the different elements of it. Abolition is in our relationships with each other. Abolition is in ensuring that folks are resourced. Abolition is in making sure that our team and larger community are cared for. We always say that, with each project, we’ve built an entire ecosystem where we’re sharing resources. The abolitionist pod is from Crenshaw Dairy Mart, but ten other organizations have participated in this project and have in turn been resourced by it.” - CDM Executive Director Ashley Blakeney Read more here.</image:caption>
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      <image:caption>“Abolition is about more than dismantling carceral systems—it’s about creating the conditions where we can thrive. Rest is an abolitionist act because it denies capitalism and white supremacy their primary tool: our exhaustion. Black Woman Rest refuses extraction, refuses performance, and insists on a reality where Black women do not have to be in a constant state of struggle to be seen. Abolitionists’ meditations is a similar concept. How do we create more space in our culture to meditate on care?” - CDM Co-founder Patrisse Cullors for Forbes, interviewed by Ashlee Marie Preston Read more here.</image:caption>
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      <image:caption>As a team, they began to brainstorm ways to further help the community. Through an abolitionist and artist lens, they created a space of mutual aid, where impacted community members received support. Blakeney said, “The dome itself holds about 1,000 plants. When we build it, we originally installed it as a project with the Museum of Contemporary Art (MOCA) Geffen, and folks were able to come visit and take plants.”  Blakeney added that Crenshaw Dairy Mart sources their plants from local Black farmers and Community Services Unlimited. With two abolitionist pods currently residing at the Crenshaw Dairy Mart and Hilda Solis Care First Village, the team is excitedly working towards having a third pod, with details of its location to come at a later time. “Our vision and our goal is that we are able to plant them around the county in spaces that really need them. We also think of it as a practice outside of structure, which is what our exhibition speaks to,” Blakeney shared. Read more here.</image:caption>
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      <image:caption>Read more here.</image:caption>
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      <image:caption>A few exhibitions will be very large—indeed, cosmic… Many more will be medium-sized and even grassroots in scale, such as Crenshaw Dairy Mart’s abolitionist pod, a permanent installation at the Hilda L. Solis Care First Village. It is a self-sustaining community garden consisting of a series of plant-filled geodesic domes, which also became sites for the community and art programming during the Covid-19 pandemic. “Our exhibition is a study of our last three years researching and building these pods,” says alexandre ali reza dorriz, one of Dairy Mart’s co-founders; it ties together issues such as “the Black liberation movement and food justice”. Crenshaw Dairy Mart is one of several organisations that are first-time PST Art participants. Continued here.</image:caption>
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      <image:caption>“The role of healing and abolition within the context of community building, especially within abolitionist institutions, brings an even deeper layer of hope for the future. Abolitionist institutions, like the Crenshaw Dairy Mart by their very nature, challenge existing structures of oppression and envision a world where art, justice, and care are central. The focus on healing within these spaces acknowledges the traumas inflicted by these structures and recognizes that transformation requires addressing and mending these wounds. At CDM we believe Incorporating healing into community building emphasizes the importance of not just changing systems externally but also nurturing individual and collective well-being. It’s about creating environments where everyone has the space to heal from the impacts of systemic oppression.” says Ashley Blakeney, Executive Director of Crenshaw Dairy Mart. Continued here.</image:caption>
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      <image:caption>Listen to episode here.</image:caption>
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      <image:caption>“Practicing abolition at CDM, we believe borders are harmful to our society and ecosystem,” olivas said. “I hope the future of immigration is centered on care and ends the practice of disposability of the human beings that have often left their homes because of the U.S. government’s impact on their homelands.” The biggest conduit of optimism? olivas said it’s the connective tissue of community. “The most rewarding part has been working with my community to make this project possible,” he said. “Working with my partner and curator Ana Briz, CDM team, my artist assistants, and my gallerist, Charlie James and his team, has been very special for me. I feel supported. It’s been very meaningful.” As the exhibition comes to a close — but olivas continues his years-long practice of creating around themes of immigration and labor — his hope is that migrant communities find freedom.  And as politicians continue to operate from a place of control and competition, his view of the world depicts something different. “What always gives me hope are the children in our family and community. There is an Ifa proverb from the sacred Odu-Ifa that says ‘the doll-carrying masquerade who bears the Agba drum fiercely and repeatedly to perform rituals because of children,’” olivas said. “When we are fighting for a world that practices abolition, we are building a better world for our children, to live a better life with dignity and respect. We are creating a kinder world that moves with care.” Continued here.</image:caption>
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      <image:caption>The titular Gilded Dreams (2024) bisects the front room, smartly installed as a barrier that is nevertheless askew, torqued from instead of parallel to the entry. A massive powder-coated steel fence shimmering a treacly gold, it stands erect, a looming if punctured lattice wall. Given the modest space, walking around the outsized Gilded Dreams requires hugging the walls: the work wryly re-imagines the phenomenological assault of minimalism, or perhaps ever more to the point, Bruce Nauman’s interrogatory and ritualized engines of entrapment. But where Nauman’s Double Steel Cage Piece (1974) performs the reflexive psycho-somatic stakes of enclosure, olivas insists on particularizing the task-based laborer. Here perhaps a better comparison is the parallax of material and subject that characterizes Melvin Edwards’s pieces, those formally astute chains and barbed wires that bespeak histories of racism as much as sculpture. For his part, olivas solicits referentiality; the fence—a readymade matrix exquisitely acted upon—redoubles those cleaving the United States border with Mexico, perversely following its cartography into the Pacific. As with related works of the detritus of shredded and coiled tire impressions tucked into corners, Gilded Dreams conjures the landscape of the Southwest (olivas none too subtly pierces the metal scrim with a Looney Tunes-like cut-out of a saguaro cactus, recognizable from Imperial County or the Sonoran Desert). Continued here.</image:caption>
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      <image:caption>The summer of 2020 brought to the mainstream widespread interest in reimagining care and healing in the face of racial capitalism and its carceral solutions. Abolitionists spoke publicly about putting an end to the conditions that cause harm, and working to build sustainable solutions. Imagining a safer world is the first step in imagining abolition, and a safer world can be defined by a community’s access to drinking water, food, and shelter. While prison abolition argues for a world without carceral punishment and attempts to undo the United States’ current invocation of “correctional facilities” as catchall solutions to social problems—what Ruth Wilson Gilmore has acidly called “the prison fix”—the abolitionist imaginary is what animates the desire to construct a world centered on love, care, and freedom. The Los Angeles-based art collective and gallery, the Crenshaw Dairy Mart (CDM), founded in early 2020 by artists Patrisse Cullors, alexandre ali reza dorriz, and noé olivas, insists that the arts can be integral to imagining and also living abolition. From addressing food insecurity through their abolitionist pod to organizing events and programs that foreground a social justice curriculum, CDM’s cultural output models the work of creating a safer, healthier, and more just world. In keeping with these themes, I asked the CDM co-founders to reflect on their three pillars: ancestry, abolition, and healing. –Ana Briz Continued here.</image:caption>
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      <image:caption>Hollywood has a dismal record for people of color trying to work behind the camera. Of the top 100 grossing films of 2022, only one in five were led by directors from underrepresented groups, and that number has been stagnant for several years, according to a 2023 report by USC. Hollywood isn’t the end goal for everyone who makes films in the community, says Blakeney. For that reason, she intentionally promoted the festival as a space for BIPOC filmmakers to experiment, learn, and grow safely.  Hollywood invests a lot in a particular type of racial trauma story. While the festival didn’t shy away from painful truths, many films celebrated other experiences, with a wide range of genres in the lineup including blocks of experimental, romantic, thriller, and mental health films. Continued here.</image:caption>
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      <image:caption>The South LA art and activism nonprofit Crenshaw Dairy Mart (CDM) will hold its inaugural film festival this Saturday at the Miracle Theater in Inglewood, showcasing a diverse range of short films by 19 LA-based filmmakers of color. The selections include documentaries, narrative films, music videos, and works in progress, some shot on iPhones and others and others made with professional equipment, but all resonating with the CDM’s guiding principles of “Ancestry, Abolition, and Healing.” Continued here.</image:caption>
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      <image:caption>On the ground floor, Inglewood-based artist collective and gallery CDM transform their space into a labyrinth of images, videos, sculptures, and texts that highlight the enduring mobilization led by artists and grassroots organizations to halt the development of prisons in L.A. county, which culminated in the passage of Measure R in 2020. Curated by artist Autumn Breon and CDM co-founder alexandre ali reza dorriz, the installation straddles the line between art, community archive, and political resource. Photo and video documentation of Stained: An Intimate Portrayal of State Violence (2012), a participatory performance by CDM co-founder Patrisse Cullors, appears in the first gallery. A response to the 2011 ACLU report detailing widespread, systemic abuse in the L.A. county jail system, the work incorporates testimonials from Cullors’ older brother, Monte, who was incarcerated for several years. Nearby, a 20-pound sculpture of wings Cullors crafted from Monte’s clothing (worn on the occasion of her performance Prayer to the Iyami, 2020) gives tangible form to carceral traumas underlining CDM’s calls for abolition. Continued here.</image:caption>
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      <image:caption>This Article profiles and interviews seven artists and organizers who are leaders throughout five distinct Los Angeles grassroots, abolitionist organizations at the forefront of dismantling and abolishing the largest penal system in the world, which is comprised of lethal policing and carceral institutions operated by the County and City of Los Angeles. Through an examination of the tools and strategies for protest employed by these five organizations, we highlight the organizers’ utilization of a distinct language of aesthetics as a principal instrument for abolition in the contemporary abolitionist movement. This Article identifies a growing number of contemporary Los Angeles based artists, collectives, and organizations which have built coalitions that have instrumentalized aesthetics through a myriad of performances, exhibitions, and public activations and interventions to address the abolition of the Prison Industrial Complex (PIC) in such an accessible and effective manner that these coalitions have frequently influenced policy change and community healing. In this Article, abolitionist aesthetics is identified as the contemporary artistic movement where artists, collectives, and organizations have employed the arts to address abolition of the PIC toward an effective social and political change. This Article also argues that the messaging and imaging of the contemporary abolitionist movement work, and the arts within this contemporary abolitionist movement work, rely heavily on the internal environments and community dynamics of the contemporary abolitionists who lead the movement, notably being Black women feminists who have introduced a radical Black, queer, and feminist politic steeped in a spiritual practice into the organizing science for the movement as it intersects with the arts. Continued here.</image:caption>
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      <image:caption>CDM-FAACE 2022-2023 Inaugural Cohort Oto-Abasi Attah, Autumn Breon, and juice wood Interviewed by Marc Lamont Hill for The Grio. Watch Video here.</image:caption>
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      <image:caption>In a movement that can often be reduced to its darkest symbols—chains, cages, and orange jumpsuits, to name a few—this ability of artists to create spaces of levity and healing is especially pertinent. And for the artist collective Crenshaw Dairy Mart, this looks like the Abolition Pod. Inspired by the community fridge movement in Inglewood, the team wanted to build a safe structure that would grow food for neighbors and foster conversations around abolitionist praxis. First located in the Museum of Contemporary Art’s parking lot, the pod now sits next to a 90-day transitional housing facility, the Hilda L. Solis Care First Village. The Abolitionist Pod allows the CDM team and the larger community to “practice abolition in real time,” says co-founder Cullors. He says CDM members underscored in their contract with the museum that they would not permit use of law enforcement to protect the art. “When they asked, ‘Well, what happens if someone harms the art?’ we said, ‘We believe we can fix that. But we can’t bring someone’s life back.’” Continued here</image:caption>
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      <image:caption>Alternative models have also been emerging, such as the Crenshaw Dairy Mart Fellowship, through which three artists participate in a program of lectures, workshops, and critiques. Fellows also receive a $100,000 grant, provided through an anonymous foundation for the program’s first year. The fellowship was started by USC Roski MFA grads Patrisse Cullors, alexandre ali reza dorriz, and noé olivas. Continued here</image:caption>
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      <image:caption>In celebration of Pride Month, LA County Library’s Compton Library is partnering with the Crenshaw Dairy Mart on a special Storytime program and a curated book list of LGBTQ-themed books for all generations. The collaboration aims to support LGBTQ+ youth and authors during a time of increasing violence and legislative backlash. Polling conducted by The Trevor Project indicates that 71% of LGBTQ+ youth—including 86% of transgender and nonbinary youth—say state laws restricting the rights of LGBTQ+ young people have negatively impacted their mental health. This collaboration aims to show solidarity with LGBTQ+ youth by making their stories more visible and promoting LGBTQ+ writers and/or illustrators who are also impacted by growing censorship. “We’re excited to partner with Crenshaw Dairy Mart, which, like Compton Library, is an institution focused on cultural enrichment and encouraging open dialogue,” said Library Director, Skye Patrick. “Uplifting LGBTQ+ stories is always important, but especially so during these turbulent times.” “In the midst of such openly anti queer and trans legislation, it is important that we show LGBTQ young people and their families that they are loved and supported, and that they deserve to thrive,” said Vic Quintanar, Program Director at Crenshaw Dairy Mart. Continued here</image:caption>
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      <image:caption>At the end of last year, the Crenshaw Dairy Mart (CDM), a nonprofit cultural space rooted at the intersection of art and activism, announced its upcoming Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE). The first three artists selected as fellows are Autumn Breon, juice wood, and Oto-Abasi Attah; they will each receive a $100,000 stipend and healthcare. The theme of the inaugural fellowship is “Inglewood and Prototyping the Abolitionist Imagination,” stressing the importance of CDM’s location in Inglewood, a historically Black city from the 1960s through the ’90s (though Latinos are now the majority), bordered by South Central LA to the East, the 405 freeway to the West, and the 105 freeway to the South. All three fellows have roots in Inglewood, and they spoke about the impact that restrictive housing covenants (known as redlining) and freeway construction have had on communities of color in South LA. Continued here</image:caption>
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      <image:caption>The bag, evoking a quilt patch, summoning the North Star, is also embedded with another type of code: poetry. The third collaborator in this project is the poet Nissi Berry, whose poem carrying freedom is laser engraved on a leather panel at the back of the bag. Berry, a formerly incarcerated woman and mother, describes how she wrote the piece: “I just wanted to embody the idea of freedom. I thought about Nina Simone’s ‘I Wish I Knew How it Would Feel to be Free’ and how she sang it with her entire being,” she says. “And that’s how I wanted to write the poem, with my entire being.” Continued here</image:caption>
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      <image:caption>In conjunction with their new exhibition North Star: Healing Generations, which focuses on the movement to free Black women from incarceration, Crenshaw Dairy Mart is holding a community conversation about abolition and healing. Co-Founder Patrisse Cullers and Creative Director of Zakarias 1925 Rita Nazareno will discuss how quilts were integrated into the Underground Railroad and how they continue to be a powerful image in the abolition movement today. Their fireside chat will be accompanied by a performance by Nissi Berry, a previously incarcerated Black poet. She’ll be reading selections from her book, Carrying Freedom, as well as poetry featured in the North Star show. Continued here</image:caption>
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      <image:caption>Spurred by the ever-shifting relationship between art and the community, this film follows art critic and journalist Catherine Wagley, who looks directly at artist groups and collectives who engage with the community through acts of mutual aid and support as well as artistic collaboration. Spotlighting Crenshaw Dairy Mart, Los Angeles Poverty Department, and Summaeverythang, Wagley investigates artistic practices and spaces that resist art world hierarchies, making room for experimentation and exploration in the community. The Crenshaw Dairy Mart, home to an artist collective and art gallery housed in a former dairy mart in Inglewood, California is dedicated to shifting the trauma-induced conditions of poverty and economic injustice. Bridging cultural work and advocacy and investigating ancestries through the lens of Inglewood and its surrounding community, the Crenshaw Dairy Mart emerged from a need to serve Black and transnational individuals through programming, events, and arts installations. From an investment in abolition, the Crenshaw Dairy Mart seeks to weave community solidarity through new modes of accessibility which cultivate and nurture communal arts and education. Continued here</image:caption>
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      <image:caption>Artist and abolitionist Patrisse Cullors sits down with Roy at the Crenshaw Dairy Mart. She explains what abolition pods are and how they play a role in helping people find liberation by fighting food apartheid. Continued here</image:caption>
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      <image:caption>Inglewood has been at the center of division and displacement since it first bloomed into a Black neighborhood. Many parts about its growth were out of Black residents’ control even after it was racially desegregated in the mid-’60s, at which point white flight and the construction of entertainment complexes like the Forum galvanized them to think about how to create a self-sufficient city. And that continues to be the case, as many in the community still feel shut out on the approval process for even more massive sports complexes, while at the same time a gentrifying wave of white, wealthier homeowners poses an uncertain future for families living near the poverty line. In response, artists and organizers, including Crenshaw Dairy Mart, have banded to support each other and navigate their longevity and Inglewood-first values outside of a white-dominated art market. CONTINUED HERE</image:caption>
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      <image:caption>Before the Crenshaw Dairy Mart (CDM), founded in early 2020 by artists Patrisse Cullors, noé olivas, and Alexandre Dorriz, opened its gallery space, it set out to build connections with its Inglewood neighbors and to honor the long history of community arts and organizing in the neighborhood. Its programming includes community artists and organizers both in and outside of the mainstream art world—its founders all have MFAs from USC, even if they also have organizing backgrounds (Cullors co-founded Black Lives Matter), while both of the recent, inaugural artists-in-residence do not. In collaboration with resident artist Paul Cullors, the Nigerian-American artist Oto-Abasi Attah created a mural outside the Dairy Mart of murdered South Central rapper and local entrepreneur Nipsey Hussle, titled Saint Nip (2020). This spring, CDM’s founders installed a geodesic dome (abolitionist pod [prototype], 2021), a prototype for community gardens that could be placed throughout the city, in the parking lot of the Geffen Contemporary at MOCA—still occupying space in the institutional sector. CDM’s presence within institutional boundaries perhaps primes the art world, often inclined to ignore such community-driven ventures, to embrace and pay attention to its work. CONTINUED HERE</image:caption>
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      <image:caption>You can now pick vegetables in the parking lot of the Geffen Contemporary at MOCA thanks to a living, breathing pod created by artist collective Crenshaw Dairy Mart. The edible installation, titled “abolitionist pod (prototype),” was created for Art Rise, the offshoot of We Rise, an initiative of the LA County Department of Mental Health in which exhibits, pop-ups, and programs emphasize healing and mental health throughout the month of May. Along the walls of the dome-like structure, pockets teem with herbs, kale, and lettuce. Periodic mist keeps the plants moist, creating a vibrant, humid ecosystem in the middle of Downtown LA. Through an abolitionist framework focused on mutual aid, autonomy, and community care, the artists hope to build edible pods across neighborhoods in LA as a way to bring generative, healthy foods to places impacted by systemic racism. CONTINUED HERE</image:caption>
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      <image:caption>“…cofounder Patrisse Cullors and her University of Southern California art school pals Alexandre Dorriz and Noé Olivas were looking to develop an entirely new ecosystem in the Antelope Valley when the opportunity arose two years ago to take over a 1965 grocery turned liquor store in Inglewood. “It was this concept of freeing the land, a place where artists and activists and abolitionists would come together,” says Olivas, noting the trio opened the location in late February with an acclaimed exhibition examining the decade of activism behind ballot measure R, which passed on March 3 and gives the Los Angeles County Sheriff Civilian Oversight Commission power to directly subpoena sheriff department personnel while requiring the commission to develop a jail reduction plan…” CONTINUED HERE</image:caption>
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      <image:caption>“…Who and what determines what counts as art in the year to come—and for the sake of the future farther out on the horizon? Artists, curators, gallerists, museum directors, auction specialists, social and political activists—the cast of active players in the art world is eclectic and diverse. And then there are the institutions that help give that cast a pedestal or a stage. For our second issue dedicated to Deciders, the editors of ARTnews looked to the present in an attempt to foresee what’s yet to come in a year with a lot on the line…” CONTINUED HERE</image:caption>
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      <image:caption>“…But Cullors is also a performance artist whose practice merges political organizing with creative expression. In June she debuted A Prayer for the Runner, a two-channel video work-cum-Zoom webinar in honor of Ahmaud Arbery, a Black man who was murdered in Georgia by white supremacists while he was out for a jog; the piece is a collaboration with the Fowler Museum in Los Angeles. And in October, she staged a new virtual performance titled Malcolm X Revisited through L.A.’s experimental gallery REDCAT. “My practice has always been deeply tied to my activism,” Cullors told ARTnews. “As I’ve evolved in my politicization, my practice also became very politicized, and it became clear that my art practice is an extension of my political values.” Cullors trained early as a dancer in L.A., but as a teenager grew frustrated by the dance world’s rigidity and the whiteness of a space in which she felt that she was typecast to be a backup dancer for hip-hop videos. “I couldn’t see a place in the dance world for me or my body type,” she said…” CONTINUED HERE</image:caption>
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      <image:caption>“…With Crenshaw Dairy Mart, artists PatriSSe Cullors, Alexandre Dorriz and Noé Olivas are trying to bridge the disparate worlds of art and abolitionist thinking. Hear how Cullors connects modern-day abolition with art and how the practice of art can help the world show up for each other and racial equality…” CONTINUED HERE</image:caption>
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      <image:caption>“…USC Roski welcomes back Roski 2019 alumni Patrisse Cullors, Alexandre Dorriz and noé olivas. These artists founded the Crenshaw Dairy Mart in Inglewood, California. The art space is home to an artist collective and art gallery dedicated to shifting the trauma-induced conditions of poverty and economic injustice. Bridging cultural work and advocacy and investigating ancestries through the lens of Inglewood and its community…” CONTINUED HERE</image:caption>
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      <image:caption>“…The virality is happening through millions of regular normal people who use the hashtag because they see the necessity to call out racism, to call out white supremacy, to call out anti-Black racism,” says Cullors. “I wasn’t a celebrity, we weren’t really known outside of our own cities and states seven years ago. That is the power of grassroots organizing—to be able to get folks to recognize how important it is to see themselves in each other.” The organization has evolved, too. Over the past seven years, it has grown into the Black Lives Matter Global Network, made up of 12 chapters. In July, Cullors assumed a secondary role, executive director of the network, overseeing these regional leaders spearheading movements in the U.S., U.K. and Canada. This past summer, the network’s foundation started providing grants of up to $500,000 from its $6.5 million fund to support the grassroots work of its affiliate chapters. The network is allocating an additional $6 million to outside organizations that focus on Black transgender issues, groups she says are often underfunded…”  CONTINUED HERE</image:caption>
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      <image:caption>“…If you follow Patrisse Cullors, you know that she is a very busy person. Every day, the Black Lives Matter co-founder helps wade “through the messiness of the internet” with her news digest. And amid frequent speaking engagements concerning politics and the movement for Black lives, she is also an active artist and helps run the beloved collective and gallery Crenshaw Dairy Mart. This Friday, October 2 and Saturday, October 3, Cullors is premiering her latest project: Malcolm Revisited, a video work that will launch Black Lives Matter’s Get Out the Vote (GOTV) campaign for the November presidential election. The film is screening for free on REDCAT’s website both nights. Malcolm Revisited builds upon a 2016 video work in which Cullors responds to Malcom X’s “The Ballot or The Bullet,” his legendary 1964 speech urging Black Americans to vote when President Lyndon Johnson was running for reelection. As Cullors observes, “Our visionary Brother Malcolm saw the vote as a tactic in the larger strategy for freedom…” CONTINUED HERE</image:caption>
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      <image:caption>“…Coinciding with Dia De La Raza and Indigenous Peoples’ Day, and in anticipation of the upcoming presidential election, we are pleased to announce two new publications by Los Angeles based artist Ruben Ochoa. The editions are in three languages, English, Spanish and Mandarin - reflecting the cultural heritages of Ochoa’s family - and subvert the imagery of an old ‘Open/Closed’ sign he admired and appreciated from his mother’s Mexican food restaurant, to create a new universal call to action: the dual language ‘VOTE' sign. Following Sister Corita Kent and Self Help Graphic’s history of community advocacy, Ochoa conceived of these silkscreens as a social initiative aimed at getting out the vote. In that interest, 60% of proceeds from every print sold is being donated by Aliso Editions and Ruben Ochoa to three organizations seeking to foster and protect our participatory democracy: Artists 4 Democracy, Crenshaw Dairy Mart, and Dignity &amp; Power Now…” CONTINUED HERE</image:caption>
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      <image:caption>“…Join us for VPAM in the Studio, a new series of short-format interviews designed to introduce artists and their practices to our museum community. Each virtual program will be recorded live on Instagram and made available on Facebook and YouTube platforms. This program will feature noé olivas and is hosted by Joseph Daniel Valencia, VPAM Exhibitions &amp; Programs Manager…” CONTINUED HERE</image:caption>
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      <image:caption>“…We needed a rubric of engagement that establishes a precedence of expectations, accountability upon one another. We're going into a relationship, a collaborative relationship, not just a contract. When you enter the premises, what are the expectations that you have with one another? Like, how are we going to love up on one another? Obviously, like the five of us that are here in the studio the most from USC, we had the precedence of how we want to ensure safety, lessen harm. All these things to establish a safe environment. [For] the whole rubric of engagement we actually brought on Mark-Anthony Johnson. He helps out with Dignity and Power Now and Justice L.A. This rubric of engagement is kind of like in collaboration with our sister orgs. As far as how do we go about running an abolition space, and especially thinking about defunding the police? Like, there's no way we're gonna call police. We can handle the situation…” CONTINUED HERE</image:caption>
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      <image:caption>“…Voz Alta: Time &amp; Space is organized and curated by Southern California-based artist noé olivas. As a former intern of Voz Alta, olivas is interested in reviving these histories alongside his art practice of community healing and engagement. The exhibition will take form as a video installation at BEST PRACTICE, while additionally functioning as a project space for the interviews and performances that will take place. The oral history videos produced from the exhibition will also be accessible to the public on various online platforms. The stories will be guided by Carlos Beltran, photographer and facilitator of the last location of Voz Alta in the historical Barrio Logan neighborhood of San Diego, and Stephanie de la Torre, community member, poet, and a board member of the first and second locations in Downtown San Diego. Invited media artist, Evan Apapodaca, will be translating these oral stories into short narrative films…” CONTINUED HERE</image:caption>
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      <image:caption>“…The show includes documentation, ephemera and work by artists and activists (including Dairy Mart co-founder Patrisse Cullors, who has long been engaged in justice reform causes). The show provides a good opportunity to reflect on the long-term commitment and dedication necessary to effect change. But I was particularly moved by one of the smaller gestures: a dandelion placed in the crack on the floor, a poignant symbol of resilience. As Cullors told Art in Odd Places in 2013: “The dandelion is kind of seen as abused, people will kick it up in their yard when they see it grow in their garden ... you try to uproot it and it gets stronger, so it grows deeper. ... We thought that was a powerful image for us — even if you try and beat us and uproot us, we will get stronger, we will survive…” CONTINUED HERE</image:caption>
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      <image:caption>“…What the three founders had in mind for the space was that it would be part artist collective and part gallery, a place guided by eight principles rooted in “ancestry, abolition, and healing” that also serves as a cultural network for the community of Inglewood. Their first exhibition focused on Measure R, a ballot measure that Cullors—also a cofounder of Black Lives Matter—worked on with multiple groups across the country to push for alternatives to incarceration. When the pandemic hit, they shut down the gallery, but Cullors, Olivas, and Dorriz immediately set up the Care Not Cages relief fund for incarcerated artists who are among those disproportionately affected by the outbreak. They also partnered with artist Lauren Halsey to distribute art-supply kits alongside produce boxes in South LA and Watts through Halsey’s Summaeverythang community program. This work—whether it’s paying for the artwork of incarcerated artists or providing a place for education, liberation, and activism—has been the product of listening and looking at the history of their community, explain the founders…” CONTINUED HERE</image:caption>
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      <image:caption>"…The dairy mart is not just an art space, it's an activist space," said Cullors. "It's a space where we see the role of Inglewood and South Central as a critical part of the landscape of Los Angeles and, I would argue, the country…." CONTINUED HERE</image:caption>
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      <image:caption>“…Full sales proceeds for each print will be donated by Alison Saar, Leslie Ross-Robertson and L.A. Louver to local Los Angeles community organizations Dignity and Power Now (DPN), Summaeverythang Community Center and Crenshaw Dairy Mart…” CONTINUED HERE</image:caption>
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      <image:caption>“…At a time when Black and Brown neighborhoods are wary of new businesses opening in disenfranchised communities, the team behind Crenshaw Dairy Mart is clearly being intentional with how it approaches the space. Olivas says that the team, especially during COVID-19 times, has offered the surrounding businesses the use of the lot in the back of the Mart in case they might need it. The team also keeps the history of Black-led arts organizations at the forefront of their approach, particularly when it comes to the history of Los Angeles during the Black Arts Movement of the 1960s and 1970s. The Brockman Gallery, Dr. Samella Lewis’s Museum of African American Art, Suzanne Jackson’s Gallery 32, to name a few, are the spaces that Dorriz says the team has consistently kept in mind. “We're within this long legacy of Black-led arts institutions,” says Dorriz. “And Noé and I as sort of these co-conspirators in this space, [a term] which Patrisse used first… We're just navigating that and thinking of that history and what happened to those spaces. At what cost those Black-led art institutions struggled with the rest of the greater Los Angeles art world — the mostly white art world…” CONTINUED HERE</image:caption>
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      <image:caption>“…This weekend, August 7—9, Crenshaw Dairy Mart is presenting the digital exhibition “Black August” and premiering the documentary Whose Streets? by Damon Davis. Debuting on PBS’s educational platform POV for 72 hours only, the feature-length film looks at the 2014 Ferguson rebellion, and is accompanied by a virtual selection of programming and works by Lola Ogbara, Jen Everett, and Adrian Walker. Co-directed by Davis and Sabaah Folayan Whose Streets?will be streamed to the public six years after the murder of Michael Brown by officer Darren Wilson, which sparked the movement in Ferguson, MO. The film sheds light on the repeated violence against Black neighborhoods, following the history of Black resistances that have occurred in the month of August—like the Haitian Revolution, March on Washington, and the Nat Turner Rebellion—thus earning the title “Black August.”…” CONTINUED HERE</image:caption>
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      <image:caption>“…The Crenshaw Dairy Mart is kicking off their “Black August” event this month with the debut of the 2017 Damon Davis documentary Whose Streets? on PBS’s educational platform, POV on August 7. “Black August” is set to run through August 9. The Crenshaw Dairy Mart is the home to an artistic collective and art gallery that is dedicated to shifting the trauma-induced conditions of poverty and economic injustice, bridging cultural work and advocacy, and investigating ancestries through the lens of Inglewood and its community. As the Black Lives Matters movement continues to slowly push the needle for civic and social progress, “Black August” sets to champion artists, support the community and further amplify voices fighting for change…” CONTINUED HERE</image:caption>
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      <image:caption>“…August is a month whose days have been marked by milestones of Black struggle.  In August 1791, a group of enslaved laborers in Haiti launched a rebellion against French colonial authorities that led to independence. Exactly 40 years later, Nat Turner led a rebellion of enslaved workers in Virginia — a rebellion that today bears his name. August 1965 was when the LAPD pulled over Marquette Frye in Watts, a traffic stop that led to an uprising that lasted six days. It was another day in August 1971, when George Jackson, an inmate at San Quentin State Prison and author of the influential autobiography and manifesto “Soledad Brother,” was killed in a melee he was said to have started after overtaking guards with a smuggled gun, an action for which some say was he was framed…” CONTINUED HERE</image:caption>
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      <image:caption>“As we call ourselves artists, we lead as organizers first,” Patrisse Cullors told Hyperallergic by phone. Cullors is perhaps best known as one of the founders of the Black Lives Matter movement. However, she is also an artist who received her MFA last year from USC’s Roski School of Art &amp; Design. Earlier this year, Cullors and two of her USC classmates, alexandre dorriz and noé olivas, founded the Crenshaw Dairy Mart, a space that fuses art and activism, in Inglewood. “We’re focused on liberation of the community first,” Cullors said. “Art has a place in that liberation. Every one of our peoples has used art as part of liberation struggles. We see ourselves in that lineage.” Continued here</image:caption>
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      <image:caption>“…In a former dairy mart just blocks from the ever-lengthening shadow of SoFi Stadium in Los Angeles’s Inglewood neighborhood, the founders of the art space Crenshaw Dairy Mart (CDM) have spent the past two years having conversations—with each other, with artists, and, most importantly, with members of the surrounding neighborhood. Founders Patrisse Cullors, Noé Olivas, and Alexandre Dorriz intended for the space to function not only as a gallery and studio, but as a repository for local culture and a place of community gathering. Just weeks after its inaugural exhibition opened, however, the United States entered lockdown, and communal gatherings became impossible. Now, as the pandemic surges in California, protestors continue to organize, and the importance of community support becomes a vital issue for art spaces across the country, CDM’s founders want to model a more holistic way for institutions to show up for the people they serve…” continued here</image:caption>
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      <image:caption>“…By disseminating the work of imprisoned people, the exhibition works to “ensure their narratives surrounding this pandemic are public, forthright, and asserted on view.” Curated by Ana Briz, independent researcher, writer, and curator, and Alexandre Dorriz, artist, writer, and co-founder of the Crenshaw Dairy Mart, the money raised from print sales will go directly towards producing books for the artists, and to the incarcerated artist’s immediate family.  Protest posters, poetry, collage, hyper-stylized pencil work, and detailed illustration –  the mediums are varied and dynamic, reflecting the many ways experience can be expressed. One piece by Larry White depicts the meeting of the prison walls with the words “Prison is a crime,” illustrated across it. What they all have in common, though, is that they are illustrations of Crenshaw Dairy Mart’s vision: a world that denounces cages, and imagines care and dignity…” continued here</image:caption>
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      <image:caption>“…CARE NOT CAGES: Processing a Pandemic is an online exhibition that centers fourteen artworks produced by six currently incarcerated artists. All but three of the artworks exhibited on GALLERYPLATFORM.LA were specifically made in response to the global pandemic that, as of June 23rd, at least 48,764 incarcerated individuals have tested positive for. In naming the disproportionate effects on the incarcerated community, this exhibition seeks to highlight a community’s recorded responses to this moment, ensuring their narratives surrounding this pandemic are public, forthright, and asserted on view…” continued here</image:caption>
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      <image:caption>“…Conceived during our era of social distancing, A Prayer for the Runner debuted on a Zoom webinar as a two-channel video. On one side of a split screen, Cullors appeared in a candlelit room, barefoot, dressed in a gauzy emerald robe and silver metallic pants, the words “BLACK POWER” written across her black t-shirt. Writing in black marker on a knee-high stack of blank paper, she presented “LAPD BUDGET” to the viewer as a sacrificial offering, then fed it through a shredder suspended from the ceiling. One by one, as she shredded “JAILS,” “PRISONS,” and “POLICE,” the sheets momentarily held their shape in midair as they fell out of the machine, shattering to pieces as they landed on the growing mound of shreds below. In the background, a pair of outstretched wings hung on the wall…” Continued Here</image:caption>
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      <image:caption>“The Crenshaw Dairy Mart is an artist collective and gallery in Inglewood that bridges cultural work, advocacy, and art. Co-founded by Patrisse Cullors, Alexander Dorriz, and Noé Olivas, their current exhibition has reopened and can be seen by appointment.  The exhibition, “Yes on Measure R! Archives and Legal Conceptions,” is about the social justice organizing that led to 2020’s successful ballot Measure R, which significantly strengthened civilian oversight of the Sheriff’s Department. The exhibit also looks at art’s pivotal role in those movements… Continued here</image:caption>
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      <image:caption>“THE THROUGH LINE between my art and activism is a political framework based on the liberation of Black people in particular, but also marginalized communities at large. I’m trying to aestheticize a politic so that art becomes a forum and a container for what I believe in politically as well as what I believe in spiritually.” - As told to Delia Brown Continued Here</image:caption>
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      <image:caption>The Crenshaw Dairy Mart will participate in the inaugural For Freedoms Congress Please join us More here.</image:caption>
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      <image:caption>Cullors designed the program, Social and Environmental Arts Practice, in collaboration with the college. The artist, who recently received her master’s from USC’s Roski School of Art and Design exploring the intersection of performance and activism, has worked to reform the criminal justice system during the last 20 years. Her relationship with the college began about a year and a half ago when she was asked to teach a course in the school’s online social justice program. She said yes with one caveat: that she would teach a class on art and activism. “In our social justice work, we’re not doing the best job of training young organizers around the tool of art and why it could be a part of the lexicon of making change,” she said. About six months into teaching, Cullors asked to create her own program. “There was no hesitance from them,” she said. And for the past year, she’s been working with the college to create a program specific to social practice art, aimed at creating social and political change. MORE HERE</image:caption>
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      <image:caption>Patrisse designed the degree to utilize art as a way to positively effectively respond to social and environmental problems in ways that inspire and mobilize community-based solutions. In 2013, Patrisse co-founded the global movement with the viral Twitter hashtag #BlackLivesMatter which has since grown to an international organization with dozens of chapters around the world fighting anti-Black racism. In January 2016 Patrisse Cullors published her memoir, "When They Call You a Terrorist: A Black Lives Matter Memoir." Her memoir became an instant New York Times Bestseller. Unlike traditional MFA programs in which students concentrate on a specific medium, form, or discipline, the interdisciplinary MFA in Social and Environmental Arts Practice centers concept, purpose and intentional engagement with community over specific disciplines or media. A student entering into the interdisciplinary MFA in Social and Environmental Arts Practice might combine multiple disciplines and media, or work within a single discipline or media focused within the frame of social practice theory. MORE HERE</image:caption>
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      <image:caption>NOE OLIVAS AT RESIDENCY Residency Art Gallery is beyond ecstatic to present HOMEBASE. This group exhibition will run from June 22ndthrough August 10th, 2019, with an opening reception that will take place on Saturday, June 22ndfrom 6pm to 9pm. HOMEBASE will feature work from Noah Humes, Kathie Foley-Meyer, Ramiro Gomez Jr., Alfonso Gonzalez Jr., Patrick Martinez, Star Montana, Noe Olivas, Devon Tsuno, Raymundo T. Reynoso (EYEONE) and Felix Quintana. For all intents and purposes, HOMEBASE serves as a love letter to Los Angeles. This exhibition’s endeavor is to draw attention to those stories of those Angelenos not seen in everyday media, as well as highlight unnoticed areas in our city. Stories such as homelessness, community, family and everyday struggles to just exist in a city with one of the largest wealth gaps in the United States. Participating artists were challenged to create works that aesthetically capture narratives, moments and settings that embody our internal, localized perception of this city we all love and call home. This exhibition came to fruition through Grand Park’s Our L.A. Voices, held in April of this year, in which Residency Art Gallery participated. More here.</image:caption>
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      <image:caption>An economy can be defined as the “efficient use of material resources.” The Works in “economies” probe how social inequities are embedded in seemingly innocuous market forces and social exchanges: What are the Human costs? Whose lives matter? More Here.</image:caption>
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      <image:caption>Patrisse Cullors AT San Diego ART INSTITUTE FORGING TERRITORIES features African-American and Latinx members of the LGBTQ community pioneering in a frequently inhospitable land. It presents artists engaged in cultural storytelling that describes themselves, their friends, and their environments in striking visual ways. It is an exhibition that combines established and emerging artists with a shared queer history. About that word, queer. Rubén Esparza, founder and director of the Queer Biennial in Los Angeles and curator of FORGING TERRITORIES, has said: “Decades back the word QUEER was a derogatory term used to de-humanize LGBTQ people. Now we’ve subverted the word and use it to both symbolize empowerment and serve as a reminder of a people’s struggles. QUEER is an umbrella term, and under its canopy are people who are lesbian, gay, bisexual, transgender, gender non-conforming, gender fluid, poly-amorous, and questioning.” SDAI presents this exhibition of LGBTQ artists of color in support of its commitment to cultural and gender equity and to serve as a catalyst in advancing remarkable regional art and artists. More here.</image:caption>
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      <image:caption>Alexandre Dorriz AT Los Angeles MUNICIPAL ART GALLERY LA MAG Learn: Tête-à-Tête with Alexandre Dorriz and Danial Nord Saturday, August 17 at 2:30 PM Meet exhibition artists Alexandre Dorriz and Danial Nord for a talk about their works in Offal. More here.</image:caption>
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      <image:caption>For the Last two years, Black Lives Matter co-founder Patrisse Cullors has been immersed in art, exploring the intersection of performance and activism while earning her mfa from USC’s Roski School of Art and Design. Cullors, a political organizer who has worked for 20 years to reform the criminal justic system, turned to her exhaustion as a source of inspiration… more here.</image:caption>
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      <image:caption>wearing a ball gown fashion from mops, Noé Olivas sways through santee alley, part of rafa esparza’s “a la calle” performance A Surreal parade artist rafa esparza leads a quirky fashion exhibition through santee alley, ground zero of downtown’s garment district More Here.</image:caption>
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      <image:title>Donate - Donate now at Fractured Atlas!</image:title>
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      <image:caption>The Crenshaw Dairy Mart participates in the inaugural For Freedoms Congress More here.</image:caption>
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      <image:title>Prescott College</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(Foreground: From left to right) Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum (2020) ; Paul Cullors, Saint Nip (2020) ; 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder (Background) Patrisse Cullors, Documentation from Performance, Stained: An Intimate Portrayal of Violence, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(left) Archived email written by Patrisse Cullors to Reform L.A. Jails team after the Los Angeles County Board of Supervisors’ unanimous vote to place Reform L.A. Jails initiative (later to be called, Ballot Measure R) on the California presidential primary March 3, 2020 ballot (dated October 11, 2018) (Center) Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum, 2020. (right) Paul Cullors, Saint Nip, 2020.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(Background: From left to Right) Archived email written by Patrisse Cullors to Reform L.A. Jails team after the Los Angeles County Board of Supervisors’ unanimous vote to place Reform L.A. Jails initiative (later to be called, Ballot Measure R) on the California presidential primary March 3, 2020 ballot (dated October 11, 2018) ; Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum, 2020. ; Paul Cullors, Saint Nip, 2020. (Foreground) 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(Background: From left to Right) Archived email written by Patrisse Cullors to Reform L.A. Jails team after the Los Angeles County Board of Supervisors’ unanimous vote to place Reform L.A. Jails initiative (later to be called, Ballot Measure R) on the California presidential primary March 3, 2020 ballot (dated October 11, 2018) ; Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum, 2020. ; Paul Cullors, Saint Nip, 2020. (Foreground) 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(FROM LEFT TO RIGHT) ARCHIVED EMAIL WRITTEN BY PATRISSE CULLORS TO REFORM L.A. JAILS TEAM AFTER THE LOS ANGELES COUNTY BOARD OF SUPERVISORS’ UNANIMOUS VOTE TO PLACE REFORM L.A. JAILS INITIATIVE (LATER TO BE CALLED, BALLOT MEASURE R) ON THE CALIFORNIA PRESIDENTIAL PRIMARY MARCH 3, 2020 BALLOT (DATED OCTOBER 11, 2018) ; PATRISSE CULLORS, WORK WORN BY CULLORS FOR PERFORMANCE, PRAYER TO THE IYAMI, AT THE BROAD MUSEUM, 2020.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(FROM LEFT TO RIGHT) PATRISSE CULLORS, WORK WORN BY CULLORS FOR PERFORMANCE, PRAYER TO THE IYAMI, AT THE BROAD MUSEUM, 2020. ; PAUL CULLORS, SAINT NIP, 2020.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(foreground) 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(Background: From left to Right) Archived email written by Patrisse Cullors to Reform L.A. Jails team after the Los Angeles County Board of Supervisors’ unanimous vote to place Reform L.A. Jails initiative (later to be called, Ballot Measure R) on the California presidential primary March 3, 2020 ballot (dated October 11, 2018) ; Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum, 2020. ; Paul Cullors, Saint Nip, 2020. (Foreground) 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>“Cruel and Usual Punishment: How a Savage Gang of Deputies controls LA County Jails” A Report by the ACLU National Prison Project and the ACLU of Southern California, September 2011.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Archived poster by The Coalition to End Sheriff Violence in Los Angeles Jails, “Would our Sheriff of the Year please explain…”, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Documentation of the Coalition to end Sheriff Violence actions, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Archived poster by The Coalition to End Sheriff Violence in Los Angeles Jails, “Would our Sheriff of the Year please explain…”, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Archived poster by The Coalition to End Sheriff Violence in Los Angeles Jails, “Would our Sheriff of the Year please explain…”, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Archived poster by The Coalition to End Sheriff Violence in Los Angeles Jails, “80% of the People locked up in the Los Angeles County Jails are Black and Latino”, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(Background: Left to Right): Series by Ashley Lukashevesky, 2019. ; Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013. ; Archived Event Flyer for “Freedom Harvest Collective Presents: Dandelions - WE DON’T DIE, WE MULTIPLY!”, 2013. (Foreground) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)”, 2018.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(Background: Left to Right): Series by Ashley Lukashevesky, 2019. ; Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013. ; Archived Event Flyer for “Freedom Harvest Collective Presents: Dandelions - WE DON’T DIE, WE MULTIPLY!”, 2013. (Foreground) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)”, 2018.</image:caption>
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      <image:caption>Series by Ashley Lukashevesky, 2019.</image:caption>
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      <image:caption>(Left to Right) Series by Ashley Lukashevesky, 2019.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Reform LA Jails, Yes on R Campaign videos, “Yes on R!”, 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1591480331875-Z1PG8UH7V7IG9Q6JT7ZY/crenshaw_dairy_mart_yes_on_r_archives_and_legal_conceptions_patrisse_cullors_noe_olivas_alexandre_dorriz_autumn_breon_williams_ashley_lukashevesky_paul_cullors_coalition_to_end_sheriff_violence_dignity_and_power_now_stained-40.jpg</image:loc>
      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1591480551480-XMSIYZO15OT2O3XAZT3L/crenshaw_dairy_mart_yes_on_r_archives_and_legal_conceptions_patrisse_cullors_noe_olivas_alexandre_dorriz_autumn_breon_williams_ashley_lukashevesky_paul_cullors_coalition_to_end_sheriff_violence_dignity_and_power_now_stained-52.jpg</image:loc>
      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Series by Ashley Lukashevesky, 2019.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1591480395082-VGYCQCI1JJ0ZRG1EJXYN/crenshaw_dairy_mart_yes_on_r_archives_and_legal_conceptions_patrisse_cullors_noe_olivas_alexandre_dorriz_autumn_breon_williams_ashley_lukashevesky_paul_cullors_coalition_to_end_sheriff_violence_dignity_and_power_now_stained-43.jpg</image:loc>
      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(Background: Left to Right) Series by Ashley Lukashevesky, 2019. ; Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013. ; Archived Event Flyer for “Freedom Harvest Collective Presents: Dandelions - WE DON’T DIE, WE MULTIPLY!”, 2013. (Foreground) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)”, 2018.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(Left to Right) Series by Ashley Lukashevesky, 2019. ; Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Archived Event Flyer for “Freedom Harvest Collective Presents: Dandelions - WE DON’T DIE, WE MULTIPLY!”, 2013.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1591480538020-1Y7KU3LF6GRGGYQFZ1J2/crenshaw_dairy_mart_yes_on_r_archives_and_legal_conceptions_patrisse_cullors_noe_olivas_alexandre_dorriz_autumn_breon_williams_ashley_lukashevesky_paul_cullors_coalition_to_end_sheriff_violence_dignity_and_power_now_stained-49.jpg</image:loc>
      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>(Background) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)” DocuMentation from the Museum of Contemporary Art (MOCA), 2020. (Foreground) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)”, 2018.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013</image:title>
      <image:caption>Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)” DocuMentation from the Museum of Contemporary Art (MOCA), 2020.</image:caption>
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  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/35c1564c-9a36-4bee-8bb6-b3673bd726ee/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Exhibitions - Free the Land! Free the People! a study of the abolitionist pod</image:title>
      <image:caption>On view September 21, 2024 through February 15, 2025</image:caption>
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      <image:title>Exhibitions - noé olivas: Gilded Dreams</image:title>
      <image:caption>Curated by Ana Briz On View February 28 through March 31, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/3018bf75-635a-42b8-8bf8-9e1da84bf69e/LBMA-2023-11-06_006.jpg</image:loc>
      <image:title>Exhibitions - Yes on R! Yes on J! Shut Down MCJ! A Decade in Abolitionist Aesthetics</image:title>
      <image:caption>Presented as part of Ordinary People on view at the Long Beach Museum of Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/0562f8e1-dbdb-4c56-9dc3-2c4ed427c9d6/Crenshaw-dairy-mart-cdm-faace-juice-wood-elon-schoenholz-i-could-show-you-1.jpg</image:loc>
      <image:title>Exhibitions - juice wood: I Could Show You..</image:title>
      <image:caption>On View September 24, 2023 through September 29, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/11d87f9e-cdbf-4346-95c3-13c13b313f8d/CDM_09.08.233491.jpg</image:loc>
      <image:title>Exhibitions - Oto-Abasi Attah: Don’t Forget to Touch Grass</image:title>
      <image:caption>On View September 9, 2023 through September 15, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/347093d5-5437-45e7-bf3a-ed97f174b43d/Crenshaw-dairy-mart-cdm-faace-autumn-breon-essentials-10.jpg</image:loc>
      <image:title>Exhibitions - Autumn Breon: Essentials</image:title>
      <image:caption>On View August 26, 2023 - September 1, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/9c048664-a787-49fe-97e8-84bdf2b97383/1.jpg</image:loc>
      <image:title>Exhibitions - North Star : Healing Generations</image:title>
      <image:caption>On View February 9, 2023 - March 11, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/7c0d6577-e87f-4dc1-8739-a8eaf4278d59/cedric-mizero-protection-crenshaw-dairy-mart-10.jpg</image:loc>
      <image:title>Exhibitions - Cedric Mizero: Open Studio</image:title>
      <image:caption>On View September 12, 2022 - October 7, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/f54b8486-7f52-4ff2-acc8-d086d2ae38b9/crenshaw_dairy_mart_abolitionist+pod8.jpg</image:loc>
      <image:title>Exhibitions - abolitionist pod (prototype)</image:title>
      <image:caption>On View May 6, 2021 - June 11, 2021 Presented at the Museum of Contemporary Art (MOCA) Geffen Contemporary</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596771954089-CK1YY32WOCM7XRI0YF5O/crenshaw_dairy_mart_yes_on_r_archives_and_legal_conceptions_patrisse_cullors_noe_olivas_alexandre_dorriz_autumn_breon_williams_ashley_lukashevesky_paul_cullors_coalition_to_end_sheriff_violence_dignity_and_power_now_stained-1.jpg</image:loc>
      <image:title>Exhibitions - YES ON R! ARCHIVES AND LEGAL CONCEPTIONS</image:title>
      <image:caption>PART 1: 2011 - 2013 On View February 29, 2020 - December 29, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1597106249584-9DF1KH46JSOQJ2JM2AVO/untitled1-1.jpg</image:loc>
      <image:title>Exhibitions - Black August</image:title>
      <image:caption>On View August 7, 2020 - August 31, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1597355417813-1G9MM8Q6VGB0N8AUCZA1/RonnellDraper_CnC.jpeg</image:loc>
      <image:title>Exhibitions - CARE NOT CAGES: Processing a Pandemic</image:title>
      <image:caption>On View July 2, 2020 - August 6, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a06ffe95-abe8-472f-a1b4-89914cc68fcd/RasAllen_4.jpg</image:loc>
      <image:title>Exhibitions - Care Not Cages</image:title>
    </image:image>
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  <url>
    <loc>https://www.crenshawdairymart.com/black-august-2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-16</lastmod>
    <image:image>
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      <image:title>Black August - Whose Streets?</image:title>
      <image:caption>The Crenshaw Dairy Mart’s special online streaming of the 2017 documentary Whose Streets? on PBS’s independent documentary program POV streaming has now ended. This Film Streamed from August 7 - 9, 2020 Film now available on Hulu.</image:caption>
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    <image:image>
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      <image:title>Black August</image:title>
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    <image:image>
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      <image:title>Black August</image:title>
      <image:caption>Jen Everett, Untitled (From Series, “Redoubled/something we carry”), Digital Collage, 2019. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596758256715-591UIOE8WLCY8BUXD2C3/Copy+of+graduation_1.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Damon Davis, Graduation I, Digital Collage, 2019. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596759288233-HT2B2N6X60Q3RC447ZQY/classybougie-4.jpeg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Lola Ogbara, Untitled (From Series, “Classy, Bougie, Ratchet”), Digital, 2020. Courtesy of Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596759851261-2ORBMXMB2XIPAGGR47W4/classybougie-print55-2.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Lola Ogbara, Untitled (From Series, “Classy, Bougie, Ratchet”), Digital, 2020. Courtesy of Artist.</image:caption>
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    <image:image>
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      <image:title>Black August</image:title>
      <image:caption>Lola Ogbara, Untitled (From Series, “Classy, Bougie, Ratchet”), Digital, 2020. Courtesy of Artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596760188655-FZJUUBGGGDZYAB0G8C36/Be+Still+.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Adrian Walker, Mortal Man "Be Still" 30” x 30”, Archival Pigment Print, Oakland, CA, 2019. Courtesy of the Artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596760377582-NQ0YJAMIXUI5XZJ4JSEP/Passion+Over+Pain+.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Adrian Walker, Mortal Man "Passion Over Pain" 30” x 30”, Archival Pigment Print, Oakland, CA, 2019. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596760567048-DB5YO8USGS2IVBADB8WW/untitled1-1.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Lola Ogbara, All That Glitters Ain’t Gold (“A Good Day to be Black &amp; Sexy”, series), Glitter on stoneware. 2020. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596760786926-0K3VMSTQJN9ACYBXXITR/untitled3-1.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Lola Ogbara, Black the Berry (“A Good Day to be Black &amp; Sexy”, series), Dimensions unrecorded, Stoneware, 2020. Courtesy of the Artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596761013890-7YCKBR02X30QAZIBNTSU/Copy+of+Damon+Davis_trembling+giant-223.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Damon Davis, The Trembling Giant, Digital, 2018. Courtesy of the Artist.</image:caption>
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    <image:image>
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      <image:title>Black August</image:title>
      <image:caption>Lola Ogbara, Land of the Brave II (“A Good Day to be Black &amp; Sexy”, series), 18” x 26” x 18”, SToneware, 2020. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Black August</image:title>
      <image:caption>Jen Everett, Unheard Sounds, Come Through (detail) From Series, “Unheard Sounds, Come Through” Dimensions Variable, Found Objects, 2019. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
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      <image:title>Black August</image:title>
      <image:caption>Jen Everett, Unheard Sounds, Come Through – Act 2 (detail) From Series, “Unheard Sounds, Come Through” Dimensions Variable, Found Objects, 2019. Courtesy of the artist.</image:caption>
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    <image:image>
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      <image:title>Black August</image:title>
      <image:caption>Damon Davis, Crack II, Concrete, Amethyst. 2019. Courtesy of the Artist.</image:caption>
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    <image:image>
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      <image:title>Black August</image:title>
      <image:caption>Damon Davis, Crack VII, Concrete, Pyrite, &amp; Clay. 2019. Courtesy of the Artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596763184154-ZVRXWTIMBUJ5AEED9UJP/Covered+in+Crowns+27x40+*.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Adrian Walker, We Matter "Covered in Crowns" 27 x 40 Inches, Wood Frame, Archival Pigment Print, Oakland, CA, 2018. Edition of 5. Courtesy of the ARtist.</image:caption>
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    <image:image>
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      <image:title>Black August</image:title>
      <image:caption>Adrian Walker, We Matter "Rest" 13.5 x 20 Inches, Wood Frame, Archival Pigment Print, Oakland, CA, 2018. Edition of 5. Courtesy of the Artist.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596763901421-GWUI1G9HGA03NP959UYS/contax25%2B%281%29.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Adrian Walker, We Matter "The Power Of Kinship" 30 x 40 Inches, Wood Frame, Archival Pigment Print, Oakland, CA, 2018. Edition of 3. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1596764044903-4CGL1C0ZLZOWRP2FB616/Copy+of+lucas1_1.jpg</image:loc>
      <image:title>Black August</image:title>
      <image:caption>Damon Davis, All Hands on Deck: Lucas, Archive Print, 2015. Courtesy of the Artist.</image:caption>
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    <image:image>
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      <image:title>Black August</image:title>
      <image:caption>Jen Everett, Untitled (From Series, “Redoubled/Something We Carry”). Dimensions Variable, Digital Collage, 2018. Courtesy of the artist.</image:caption>
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      <image:title>Black August</image:title>
      <image:caption>Jen Everette, Untitled (from series, “Redoubled / Something We Carry”) 9 inches x 11 inches, Solvent transfer on paper, 2018. Courtesy of the artist.</image:caption>
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      <image:title>Black August</image:title>
      <image:caption>Damon Davis, Transitions, Digital Collage, 2019. Courtesy of the Artist.</image:caption>
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    <lastmod>2025-11-20</lastmod>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Foreground: From left to right) Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum (2020) ; Paul Cullors, Saint Nip (2020) ; 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder (Background) Patrisse Cullors, Documentation from Performance, Stained: An Intimate Portrayal of Violence, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(left) Archived email written by Patrisse Cullors to Reform L.A. Jails team after the Los Angeles County Board of Supervisors’ unanimous vote to place Reform L.A. Jails initiative (later to be called, Ballot Measure R) on the California presidential primary March 3, 2020 ballot (dated October 11, 2018) (Center) Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum, 2020. (right) Paul Cullors, Saint Nip, 2020.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Background: From left to Right) Archived email written by Patrisse Cullors to Reform L.A. Jails team after the Los Angeles County Board of Supervisors’ unanimous vote to place Reform L.A. Jails initiative (later to be called, Ballot Measure R) on the California presidential primary March 3, 2020 ballot (dated October 11, 2018) ; Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum, 2020. ; Paul Cullors, Saint Nip, 2020. (Foreground) 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Background: From left to Right) Archived email written by Patrisse Cullors to Reform L.A. Jails team after the Los Angeles County Board of Supervisors’ unanimous vote to place Reform L.A. Jails initiative (later to be called, Ballot Measure R) on the California presidential primary March 3, 2020 ballot (dated October 11, 2018) ; Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum, 2020. ; Paul Cullors, Saint Nip, 2020. (Foreground) 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1591478546827-IRUXKP28QDJGEDSGVC4N/crenshaw_dairy_mart_yes_on_r_archives_and_legal_conceptions_patrisse_cullors_noe_olivas_alexandre_dorriz_autumn_breon_williams_ashley_lukashevesky_paul_cullors_coalition_to_end_sheriff_violence_dignity_and_power_now_stained-5.jpg</image:loc>
      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1591478554479-J39U8IFSCSMAE3Y0YS2S/crenshaw_dairy_mart_yes_on_r_archives_and_legal_conceptions_patrisse_cullors_noe_olivas_alexandre_dorriz_autumn_breon_williams_ashley_lukashevesky_paul_cullors_coalition_to_end_sheriff_violence_dignity_and_power_now_stained-6.jpg</image:loc>
      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1591478557249-GMOZWZVNCTO0PTPIXQSG/crenshaw_dairy_mart_yes_on_r_archives_and_legal_conceptions_patrisse_cullors_noe_olivas_alexandre_dorriz_autumn_breon_williams_ashley_lukashevesky_paul_cullors_coalition_to_end_sheriff_violence_dignity_and_power_now_stained-7.jpg</image:loc>
      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(FROM LEFT TO RIGHT) ARCHIVED EMAIL WRITTEN BY PATRISSE CULLORS TO REFORM L.A. JAILS TEAM AFTER THE LOS ANGELES COUNTY BOARD OF SUPERVISORS’ UNANIMOUS VOTE TO PLACE REFORM L.A. JAILS INITIATIVE (LATER TO BE CALLED, BALLOT MEASURE R) ON THE CALIFORNIA PRESIDENTIAL PRIMARY MARCH 3, 2020 BALLOT (DATED OCTOBER 11, 2018) ; PATRISSE CULLORS, WORK WORN BY CULLORS FOR PERFORMANCE, PRAYER TO THE IYAMI, AT THE BROAD MUSEUM, 2020.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(FROM LEFT TO RIGHT) PATRISSE CULLORS, WORK WORN BY CULLORS FOR PERFORMANCE, PRAYER TO THE IYAMI, AT THE BROAD MUSEUM, 2020. ; PAUL CULLORS, SAINT NIP, 2020.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(foreground) 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1591478574168-GW3VTTMEC4JWAP4LGDN3/crenshaw_dairy_mart_yes_on_r_archives_and_legal_conceptions_patrisse_cullors_noe_olivas_alexandre_dorriz_autumn_breon_williams_ashley_lukashevesky_paul_cullors_coalition_to_end_sheriff_violence_dignity_and_power_now_stained-10.jpg</image:loc>
      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Background: From left to Right) Archived email written by Patrisse Cullors to Reform L.A. Jails team after the Los Angeles County Board of Supervisors’ unanimous vote to place Reform L.A. Jails initiative (later to be called, Ballot Measure R) on the California presidential primary March 3, 2020 ballot (dated October 11, 2018) ; Patrisse Cullors, work worn by Cullors for performance, Prayer to the Iyami, at the Broad Museum, 2020. ; Paul Cullors, Saint Nip, 2020. (Foreground) 2,865 pages of the 2014 “Architectural Program for Consolidated Correctional Treatment Facilities and Detention Centers,” AKA Los Angeles County Jail Expansion Plan, alongside paper shredder</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>“Cruel and Usual Punishment: How a Savage Gang of Deputies controls LA County Jails” A Report by the ACLU National Prison Project and the ACLU of Southern California, September 2011.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Archived poster by The Coalition to End Sheriff Violence in Los Angeles Jails, “Would our Sheriff of the Year please explain…”, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Documentation of the Coalition to end Sheriff Violence actions, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Archived poster by The Coalition to End Sheriff Violence in Los Angeles Jails, “Would our Sheriff of the Year please explain…”, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Archived poster by The Coalition to End Sheriff Violence in Los Angeles Jails, “Would our Sheriff of the Year please explain…”, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Archived poster by The Coalition to End Sheriff Violence in Los Angeles Jails, “80% of the People locked up in the Los Angeles County Jails are Black and Latino”, 2012.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Background: Left to Right): Series by Ashley Lukashevesky, 2019. ; Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013. ; Archived Event Flyer for “Freedom Harvest Collective Presents: Dandelions - WE DON’T DIE, WE MULTIPLY!”, 2013. (Foreground) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)”, 2018.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Background: Left to Right): Series by Ashley Lukashevesky, 2019. ; Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013. ; Archived Event Flyer for “Freedom Harvest Collective Presents: Dandelions - WE DON’T DIE, WE MULTIPLY!”, 2013. (Foreground) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)”, 2018.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Series by Ashley Lukashevesky, 2019.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Left to Right) Series by Ashley Lukashevesky, 2019.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Reform LA Jails, Yes on R Campaign videos, “Yes on R!”, 2020</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Series by Ashley Lukashevesky, 2019.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Background: Left to Right) Series by Ashley Lukashevesky, 2019. ; Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013. ; Archived Event Flyer for “Freedom Harvest Collective Presents: Dandelions - WE DON’T DIE, WE MULTIPLY!”, 2013. (Foreground) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)”, 2018.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Left to Right) Series by Ashley Lukashevesky, 2019. ; Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Archived Event Flyer for “Freedom Harvest Collective Presents: Dandelions - WE DON’T DIE, WE MULTIPLY!”, 2013.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Archived Event Flyer for "Freedom Harvest Collective Presents: #Riseofthedandelions”, 2013.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>(Background) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)” DocuMentation from the Museum of Contemporary Art (MOCA), 2020. (Foreground) Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)”, 2018.</image:caption>
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      <image:title>Yes on R! Archives and Legal Conceptions ; Part 1: 2011 - 2013 (Copy)</image:title>
      <image:caption>Patrisse Cullors and noé olivas, works from performance, “Untitled (It’s Dangerous Times, We Have to Be Connected)” DocuMentation from the Museum of Contemporary Art (MOCA), 2020.</image:caption>
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      <image:caption>Courtesy of Crenshaw Dairy Mart Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/27051d45-1973-41de-a4a9-27ecc8622d99/cedric-mizero-crenshaw-dairy-mart-open-studio+copy.jpg</image:loc>
      <image:title>CDM Gallery - Make it stand out</image:title>
      <image:caption>Cedric Mizero is a Rwandan artist and filmmaker whose work is characterized by his investigation of personal and collective memories, design, and aesthetics. The Crenshaw Dairy Mart is pleased to present an intimate selection of works from the series, Protection, for OPEN STUDIO. The series, Protection, is part of a large body of mixed media artworks Mizero has been developing since 2017.  The works from the series navigate much of the artist’s personal and collective memories anchored in the artist and Rwanda’s relationship to the church. Throughout the series, Mizero utilizes textile in relationship to bodies that become armored through religious iconography such as rosaries and medallions, citing the two as his primary medium in the series. Mizero’s artworks and projects are largely mobilized through community collaborations and conversations with upwards of 100 women artisans and craftworkers in his hometown of Kigali, as well as across Rwanda. These collaborations are a large part of Mizero’s discourse in creating work which is centered in the healing of collective memory in community, as well as building resilience through community efforts. For Mizero’s work, this resilience and healing is created over time and is in conversation with a history of indigenous practices which have centered collective fiber work as a practice towards collective healing. This is largely prevalent in the collective, intricate beading, weaving, embroidery, and embellishments in his sculptures and mixed-media works developed across conversations with his communities.  As part of Cedric Mizero : OPEN STUDIO, the artist presents an intimate screening of Protection (2021), a short film developed by the artist as part of the residency, Aby Concept.* Cedric Mizero is the director of Umutima / The Heart (Rwanda, 2022), Dreaming My Memory (Rwanda, 2019), and New Life in the Village (Rwanda, 2019). He is the production designer, costume designer and provided artistic direction to Saul Williams and Anisia Uzeyman’s Neptune Frost (Rwanda / USA, 2021). Cedric Mizero’s work has previously been exhibited at Galerie Cécile Fakhoury (Abidjan, Ivory Coast), 180 Strand (London, UK), and Kigali Fashion Week (Kigali, Rwanda) and is currently on view at the Frick Art Museum (Pittsburgh, USA) in collaboration with FashionAFRICANA.  Cedric Mizero : OPEN STUDIO was on view from Monday, September 12 through Friday, October 7, 2022.   *Spiritual Armor: An Interview between Cedric Mizero and Kami Gahiga</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/postings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-05</lastmod>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/community-screenings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/678a7e3a-643e-481d-a362-07a0dda5b940/lgallegos_DS_NEPTUNEFROST_5-14-22-0024.jpg</image:loc>
      <image:title>Community Screenings - Make it stand out</image:title>
      <image:caption>The Advanced Screening of Neptune Frost at The Crenshaw Dairy Mart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/4919550f-b7e6-4859-9980-07709c7d702c/lgallegos_DS_NEPTUNEFROST_5-14-22-0025.jpg</image:loc>
      <image:title>Community Screenings - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart Executive Director Ashley Blakeney Introducing the Advanced Screening of Neptune Frost at The Crenshaw Dairy Mart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/31e4132c-e797-4bfa-89e3-6b446aa400e0/104a8560-7f9f-e776-c46a-0ad857bec0ff.jpg</image:loc>
      <image:title>Community Screenings - Make it stand out</image:title>
      <image:caption>Q&amp;A with Neptune Frost filmmakers Saul Williams and Anisia Uzeyman alongside Inglewood-based creative juice wood. Moderated by Inglewood-based artist and curator Autumn Breon.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/74e7028f-bb6b-43fd-98d3-96dbaf666c35/lgallegos_DS_NEPTUNEFROST_5-14-22-0145.jpg</image:loc>
      <image:title>Community Screenings - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/48352bc7-8f7e-4dd9-a49d-bad792927ce6/lexusgallegos_HallowedGround_10-3-21_153.jpg</image:loc>
      <image:title>Community Screenings - Make it stand out</image:title>
      <image:caption>Eyes on the Prize: Hallowed Ground Screening</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/abolitionist-pod</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c923ec0c-0199-4d28-a274-e3a1408a7677/P1126514.JPG</image:loc>
      <image:title>abolitionist pod - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/4e36fa4b-d62f-472b-89b0-4a43609f5fa7/cdmpod_052.jpg</image:loc>
      <image:title>abolitionist pod - Make it stand out</image:title>
      <image:caption>Photo Credit: Star Montana</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/424dada1-c282-4fdb-bea9-9b8fe4151f83/cdmpod_079.jpg</image:loc>
      <image:title>abolitionist pod - Make it stand out</image:title>
      <image:caption>Photo Credit: Star Montana</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/fedbab1f-c5d5-49f4-a7d7-db245bb3ea4d/cdmpod_009.jpg</image:loc>
      <image:title>abolitionist pod - Make it stand out</image:title>
      <image:caption>Photo Credit: Star Montana</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/bcba0a61-bc84-46e9-ba6e-b649f9e7a654/cdmpod_047.jpg</image:loc>
      <image:title>abolitionist pod - Make it stand out</image:title>
      <image:caption>Photo Credit: Star Montana</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/38467f88-260b-42d5-ae07-dc50d4985d95/cdmpod_018.jpg</image:loc>
      <image:title>abolitionist pod - Make it stand out</image:title>
      <image:caption>Photo Credit: Star Montana</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/f48eaf8f-be4c-4d23-9a8a-453e6135101d/cdmpod_025.jpg</image:loc>
      <image:title>abolitionist pod - Make it stand out</image:title>
      <image:caption>Photo Credit: Star Montana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/6ef37926-525e-4359-8706-5a0a01113dde/P1126559.JPG</image:loc>
      <image:title>abolitionist pod - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1621356364228-S2J6VVVRX51CM9GEO5HR/crenshaw-dairy-mart-abolitionist-pod.jpg</image:loc>
      <image:title>abolitionist pod - Make it stand out</image:title>
      <image:caption>The Crenshaw Dairy Mart is organizing a series of happenings, installations, and commissions for #PrayForLA, an initiative developed to collectively grieve, pray, mourn, and honor those lives affected by the current surge of Covid-19 hospitalizations in Los Angeles. The disproportionate impact that Covid-19 has had on the Black, Brown, and poor communities of South Central Los Angeles has become increasingly evident capitalism has played the largest role in creating a disaster in the health care system. We are in collective grief with the impact this racism and the lack of a healthcare infrastructure has had on communities of color and we have developed this project as a coalition of artists and organizations committed to the transformative capacities of art, healing and prayer organizing in this moment for our community in need.  Pray for LA will emerge through a series of installations across the City of Angels, as healing centers, homes, sanitation stations, and greenhouses in the form of circular domes and pods. The installations will utilize space frames and be modular, to be used for a piloting program to combat houselessness and Covid-19 in Los Angeles. These liminal spaces will imagine entry points into a world lived within an abolitionist mainframe, assisting in our imagination to have seen the Covid response through abolitionists’ eyes. How different would have this pandemic been addressed? They help us ask the questions,  “Where can we go for people to cry and grieve?”  “What do we want our bodies to feel like (again)?” These Freedom Portals are designed to address exactly how Covid has physically impacted our bodies, to revisit our senses: to smell, to touch, to hear. Most importantly, these portals will ground us in this grief and tragedy, but will also allow us to think through what life will look like after Covid’s aftermath, beyond the fallout, and into a world where abolition is foregrounded, where we lead with love. In addition to these installations, the Crenshaw Dairy Mart will recruit Domingo Project, a 63 square foot 1967 Chevrolet Step-van that was used as a delivery vehicle in the 1960s, founded by Crenshaw Dairy Mart co-founder noé olivas as a rolling social sculpture and mobile site for installation. As a satellite to these mobile stations and pods, the Crenshaw Dairy Mart will concurrently host an exhibition revolving these themes for Pray for LA.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1609629004717-4XBB05IK33R4B9KI9O2C/pray-for-la-site.jpg</image:loc>
      <image:title>abolitionist pod</image:title>
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      <image:title>abolitionist pod - Donate now at Fractured Atlas!</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/past-programs</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/f2ce8c63-0d5a-4197-b191-6befbbea01da/lgallegos_DS_NEPTUNEFROST_5-14-22-0024.jpg</image:loc>
      <image:title>Past Programs - Community Screenings</image:title>
      <image:caption>Community Film Screenings and Viewings at the Crenshaw Dairy Mart</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/18b5ba1e-b162-47f1-8234-46eb71b33390/RasAllen_4.jpg</image:loc>
      <image:title>Past Programs - Care Not Cages</image:title>
      <image:caption>Relief Fund and Mutual Aid</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/fbac9ccf-1bc1-4a4a-898c-132a05fb1083/DSC07933-2.jpg</image:loc>
      <image:title>Past Programs - Live at the Mart</image:title>
      <image:caption>Special Events and Happenings</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/fc0e62d8-8bf9-42cf-8c0c-42ff458a8ddd/IMG_3748.jpeg</image:loc>
      <image:title>Past Programs - Art Supply Kits</image:title>
      <image:caption>Free Art Supplies to the Watts, South Central, and Pico-Union Los Angeles Community</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b0807bf1-95ae-41de-8933-cb95e9ae1159/201016_WOODFRIDGE_7994.jpg</image:loc>
      <image:title>Past Programs - Inglewood Community Fridge</image:title>
      <image:caption>The Inglewood Community Fridge, organized by Inglewood-based community organizers The Homiez Collective and the #CheckIn Community</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/62e0944c-bb6e-4bab-b6f7-39e0962b7fd9/Screen+Shot+2022-11-11+at+3.40.07+PM.png</image:loc>
      <image:title>Past Programs - domingo</image:title>
      <image:caption>domingo, AKA “untitled space,” a rolling social sculpture based out of a 63 sq. ft. 1967 Chevrolet step-van repurposed as a space for art and healing, a project by CDM Co-founder noé olivas founded in 2011</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1168facf-597c-48e5-b909-d8982da00ea1/contax25%2B%281%29.jpg</image:loc>
      <image:title>Past Programs - Black August</image:title>
      <image:caption>Exhibition and programs chronicling a history of Black Resistances and Rebellions which have arose in the month of August, with a special screening of “Whose Streets?”, on the Fergusson Rebellion</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/7db636fb-c2fc-43db-bd5f-ba0b4346ba48/DJI_0399+copy+LO-RES.jpg</image:loc>
      <image:title>Past Programs - Lighting Up the Sky</image:title>
      <image:caption>On Friday, Juneteenth, June 19, 2020, at 8:46pm we inaugurated Lighting Up The Sky</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/4905618e-1b63-4a5a-a51f-7bafaba42d51/DSC00157-2.jpg</image:loc>
      <image:title>Past Programs - Saint Nip</image:title>
      <image:caption>Saint Nip on the Crenshaw Dairy Mart Playground</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/domingo</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376513564-W1ANZHO3SBC6IT6HOGQ4/1-crenshaw-dairy-mart-domingo-noe-olivas-myca-creative-jayakang-bklynn-outofpocketproject.jpg</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Image courtesy of Crenshaw Dairy Mart. Photographed by Filmblacktivist (@filmblacktivism).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376516120-HFFGJ6YGB6KR96WHA117/2-crenshaw-dairy-mart-domingo-noe-olivas--myca-creative-jayakang-bklynn-outofpocketproject.jpg</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Image courtesy of Crenshaw Dairy Mart. Photographed by Filmblacktivist (@filmblacktivism).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376523072-U1V2QRILYOBOHS2TKXYV/3-crenshaw-dairy-mart-domingo-noe-olivas-myca-creative-jayakang-bklynn-outofpocketproject.jpg</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Image courtesy of Crenshaw Dairy Mart. Photographed by Filmblacktivist (@filmblacktivism).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376523754-FNFC7KAU9MEPPLEUFM50/3-crenshaw-dairy-mart-domingo-noe-olivas-gio-solis.jpg</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Image courtesy of Crenshaw Dairy Mart. Photographed by Filmblacktivist (@filmblacktivism).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376530644-CSL91Z0TGK84OXQSA6PU/6-crenshaw-dairy-mart-domingo-noe-olivas-myca-creative-jayakang-bklynn-outofpocketproject.jpg</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Crenshaw Dairy Mart Co-founder noé olivas, domingo (2012 - present); 63 sq. ft. 1967 Chevy Step-Van break-truck and rolling social sculpture. 6’2” x 10’3” x 7’2”. Image courtesy of Crenshaw Dairy Mart. Photographed by Filmblacktivist (@filmblacktivism).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376515728-TI0KMQ5E50EM1RUDU7H2/1-crenshaw-dairy-mart-domingo-noe-olivas-gio-solis.JPG</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Image courtesy of Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376520289-S5XIRU0M9CAN0MKWI86L/2-crenshaw-dairy-mart-domingo-noe-olivas-gio-solis.jpg</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Image courtesy of Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376527050-EK15UTC7TV0Z7A0TUP2L/5-crenshaw-dairy-mart-domingo-noe-olivas-myca-creative-jayakang-bklynn-outofpocketproject.jpg</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Image courtesy of Crenshaw Dairy Mart. Photographed by Filmblacktivist (@filmblacktivism).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376525990-QOD5WATGXENA8ZOH25DZ/4-crenshaw-dairy-mart-domingo-noe-olivas-myca-creative-jayakang-bklynn-outofpocketproject.jpg</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Image courtesy of Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1668376525186-10G35HR3PDYDQJIRBASN/4-crenshaw-dairy-mart-domingo-noe-olivas-gio-solis.jpg</image:loc>
      <image:title>domingo</image:title>
      <image:caption>Image courtesy of Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1582516598625-5NZYZNKOAN3I5ZNG5OGB/olivas_noe_09.jpg</image:loc>
      <image:title>domingo</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/fellowship</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/917892bb-5502-49dd-8cb4-75e841304f47/_MG_9483.jpg</image:loc>
      <image:title>CDM-FAACE Fellowship - Make it stand out</image:title>
      <image:caption>juice wood, CDM-FAACE INaugural Fellow 2022-2023 Photographed by Star Montana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/ac218925-875a-4cec-ad99-a7fd8da68b51/_MG_9433.jpg</image:loc>
      <image:title>CDM-FAACE Fellowship - Make it stand out</image:title>
      <image:caption>Autumn Breon, CDM-FAACE INaugural Fellow 2022-2023 Photographed by Star Montana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/3d9c9e17-0d16-4d28-aee1-d99f59e5f31d/_MG_9448.jpg</image:loc>
      <image:title>CDM-FAACE Fellowship - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, CDM-FAACE INaugural Fellow 2022-2023 Photographed by Star Montana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/90398a5d-1aa0-42c2-9431-f610eba63da6/_MG_9438.jpg</image:loc>
      <image:title>CDM-FAACE Fellowship</image:title>
      <image:caption>Photo Credit: Star Montana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/3ead5228-ef66-405c-aadc-4b03c8b1905b/_MG_9494.jpg</image:loc>
      <image:title>CDM-FAACE Fellowship</image:title>
      <image:caption>Photo Credit: Star Montana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/ad0f1cbd-aa69-4681-8d4a-f80b6dd5ec46/_MG_9464.jpg</image:loc>
      <image:title>CDM-FAACE Fellowship</image:title>
      <image:caption>Photo Credit: Star Montana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/46fa9892-d680-4e0f-afd7-fe056072ff47/crenshawdairymart-inglewoodprototypingabolitionistimagination.jpg</image:loc>
      <image:title>CDM-FAACE Fellowship - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE) Presents Inglewood &amp; Prototyping the Abolitionist Imagination  The Three-Part, Culminating Exhibition will Feature Solo Exhibitions by CDM-FAACE Inaugural Fellows Autumn Breon, Oto-Abasi Attah, and juice wood Los Angeles, CA [August 11, 2023] — Crenshaw Dairy Mart is pleased to announce the culminating exhibitions for the inaugural cohort of the Crenshaw Dairy Mart Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE). Organized around the theme, Inglewood &amp; Prototyping the Abolitionist Imagination, and featuring three solo exhibitions by 2022-2023 CDM-FAACE Fellows Autumn Breon, Oto-Abasi Attah, and juice wood, this cogent presentation envisions the future of Inglewood through an abolitionist framework. The first exhibition, Autumn Breon: Essentials, will open on Saturday, August 26, 2023, and remain on view through September 1, 2023. CDM-FAACE is a one-year fellowship program that incorporates the philosophies and ethos of traditional artist residency programs through a distinct abolitionist framework, alongside a robust curriculum with frequent lectures, workshops, and seminars. CDM-FAACE fellows have been introduced to models of collective-care and collective-critique through regular studio visits and group critiques for the duration of this year-long fellowship. Each fellow was provided with access to healthcare insurance for the entirety of their fellowship. They also received a stipend of $100,000 to utilize for living expenses, studio expenses, art supplies, and materials expenses. “Crenshaw Dairy Mart’s selection of Autumn Breon, Oto-Abasi Attah, and juice wood for the inaugural CDM-FAACE cohort honors the collective’s grassroots legacy and the programmatic contributions of all three fellows since its founding, while representing key tenets of the abolitionist framework espoused by CDM’s co-founders. The culminating exhibitions of all three artists work together to prototype a rubric of care within this framework, providing space for healing, access to economies of care, and a way to memorialize the community and honor the past.” - Crenshaw Dairy Mart Engaged around the theme, “Inglewood and Prototyping the Abolitionist Imagination,” each exhibition will present the fellows’ independent research and fieldwork, largely centered around navigating Black community autonomy, community healing, and economies of care. The inaugural 2022–2023 CDM-FAACE fellows, each of whom are Inglewood-born and raised, prototype the abolitionist imagination in their own communities, recognizing the history and people of Inglewood through their respective practices and discourse. The first of three culminating exhibitions, Autumn Breon: Essentials will feature sculpture and video works that invite the audience to interact with relics from “Esoterica”, described by Breon as an extraterrestrial location and the next destination for ancestors when they leave Earth. An interactive piece in the form of a vending machine encourages the viewer to use familiar cues as opportunities to engage with the concept of care.  Video diptychs of Black women adorning themselves incorporate both original and archival imagery. Borrowing from the design of double-paneled altarpieces, these diptychs magnify intimate moments of care into images that are larger than life. The videos frame a singular vending machine supplied with objects that Black women requested in response to the question: “What items represent and provide care?” The pink vending machine is fully stocked with condoms, tampons, pads, edge control, braiding hair, abortion pill resources, and science fiction novels written by Black women. All contents are free of charge. Autumn Breon’s work serves as an intervention to the current culture, as does the character she embodies through her practice – an intermediary entity from Esoterica who educates and thereby liberates the Earth-bound with information about the proximal, atemporal universe she inhabits. The artist’s process of worldbuilding is a radical, decolonial act of imagination that is deeply aligned with CDM’s guiding pedagogy of Abolitionist Aesthetics. Presented across CDM's galleries, the groundbreaking exhibition amplifies the work of three foundational artists to CDM and underscores the pivotal roles each played in shaping CDM's inception. Autumn Breon, celebrated for co-curating the space’s inaugural exhibition Yes on R! Archives and Legal Conceptions in 2020, embodies the essence of community-oriented care; Oto-Abasi Attah, the visionary behind the captivating mural paying tribute to Nipsey Hussle, will transform one of the CDM galleries into a grassy space that will be used for communal gathering, collective rejuvenation, and creativity; juice wood established the first Inglewood Community Fridge at CDM and for this exhibition, will provide meticulous documentation of local narratives, effectively preserving and honoring the Inglewood community. Representing a holistic convergence of creativity and care around the central theme, Inglewood &amp; Prototyping the Abolitionist Imagination also sets forth a replicable prototype for fostering care through an abolitionist framework while inviting visitors to engage with the essential fabric of their communities.</image:caption>
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    <lastmod>2023-08-27</lastmod>
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      <image:title>North Star : Healing Generations - Make it stand out</image:title>
      <image:caption>North Star : Healing Generations. Installation View. 2023. Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>North Star : Healing Generations - Make it stand out</image:title>
      <image:caption>North Star : Healing Generations. Installation View. 2023. Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>North Star : Healing Generations - Make it stand out</image:title>
      <image:caption>North Star : Healing Generations. Installation View. 2023. Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>North Star : Healing Generations - Make it stand out</image:title>
      <image:caption>North Star : Healing Generations. Installation View. 2023. Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>North Star : Healing Generations - Make it stand out</image:title>
      <image:caption>North Star : Healing Generations. Installation View. 2023. Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>North Star : Healing Generations - Make it stand out</image:title>
      <image:caption>Courtesy of Crenshaw Dairy Mart Gallery</image:caption>
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  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/autumnbreon/essentials</loc>
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    <lastmod>2023-10-02</lastmod>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Essentials. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials</image:title>
      <image:caption>Autumn Breon, Beauty is Essential. Mixed-media Installation, Dimensions Variable. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Essentials. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Care is Essential. Mixed-media Installation, Dimensions Variable. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Care Machine. Mixed-media Installation, 72” x 29.5” x 28.5” inches. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Care Machine. Mixed-media Installation, 72” x 29.5” x 28.5” inches. 2023. (Detail). Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Care Machine. Mixed-media Installation, 72” x 29.5” x 28.5” inches. 2023. (Detail). Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Care Machine. Mixed-media Installation, 72” x 29.5” x 28.5” inches. 2023. (Detail). Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Care Machine. Mixed-media Installation, 72” x 29.5” x 28.5” inches. 2023. (Detail). Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Abortion Pills. Mixed-media, 6.3” x 3.1” x 1.2” inches. 2023. (Detail). Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Abortion Pills. Mixed-media, 6.3” x 3.1” x 1.2” inches. 2023. (Detail). Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Autumn Breon, Essentials. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photo Credit: Elon Schoenholz.</image:caption>
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      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d137a77b-babd-44b7-ba2d-5c0659f5545e/crenshawdairymart-inglewoodprototypingabolitionistimagination.jpg</image:loc>
      <image:title>Autumn Breon: Essentials - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE) Presents Inglewood &amp; Prototyping the Abolitionist Imagination  The Three-Part, Culminating Exhibition will Feature Solo Exhibitions by CDM-FAACE Inaugural Fellows Autumn Breon, Oto-Abasi Attah, and juice wood Los Angeles, CA [August 11, 2023] — Crenshaw Dairy Mart is pleased to announce the culminating exhibitions for the inaugural cohort of the Crenshaw Dairy Mart Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE). Organized around the theme, Inglewood &amp; Prototyping the Abolitionist Imagination, and featuring three solo exhibitions by 2022-2023 CDM-FAACE Fellows Autumn Breon, Oto-Abasi Attah, and juice wood, this cogent presentation envisions the future of Inglewood through an abolitionist framework. The first exhibition, Autumn Breon: Essentials, will open on Saturday, August 26, 2023, and remain on view through September 1, 2023. CDM-FAACE is a one-year fellowship program that incorporates the philosophies and ethos of traditional artist residency programs through a distinct abolitionist framework, alongside a robust curriculum with frequent lectures, workshops, and seminars. CDM-FAACE fellows have been introduced to models of collective-care and collective-critique through regular studio visits and group critiques for the duration of this year-long fellowship. Each fellow was provided with access to healthcare insurance for the entirety of their fellowship. They also received a stipend of $100,000 to utilize for living expenses, studio expenses, art supplies, and materials expenses. “Crenshaw Dairy Mart’s selection of Autumn Breon, Oto-Abasi Attah, and juice wood for the inaugural CDM-FAACE cohort honors the collective’s grassroots legacy and the programmatic contributions of all three fellows since its founding, while representing key tenets of the abolitionist framework espoused by CDM’s co-founders. The culminating exhibitions of all three artists work together to prototype a rubric of care within this framework, providing space for healing, access to economies of care, and a way to memorialize the community and honor the past.” - Crenshaw Dairy Mart Engaged around the theme, “Inglewood and Prototyping the Abolitionist Imagination,” each exhibition will present the fellows’ independent research and fieldwork, largely centered around navigating Black community autonomy, community healing, and economies of care. The inaugural 2022–2023 CDM-FAACE fellows, each of whom are Inglewood-born and raised, prototype the abolitionist imagination in their own communities, recognizing the history and people of Inglewood through their respective practices and discourse. The first of three culminating exhibitions, Autumn Breon: Essentials will feature sculpture and video works that invite the audience to interact with relics from “Esoterica”, described by Breon as an extraterrestrial location and the next destination for ancestors when they leave Earth. An interactive piece in the form of a vending machine encourages the viewer to use familiar cues as opportunities to engage with the concept of care.  Video diptychs of Black women adorning themselves incorporate both original and archival imagery. Borrowing from the design of double-paneled altarpieces, these diptychs magnify intimate moments of care into images that are larger than life. The videos frame a singular vending machine supplied with objects that Black women requested in response to the question: “What items represent and provide care?” The pink vending machine is fully stocked with condoms, tampons, pads, edge control, braiding hair, abortion pill resources, and science fiction novels written by Black women. All contents are free of charge. Autumn Breon’s work serves as an intervention to the current culture, as does the character she embodies through her practice – an intermediary entity from Esoterica who educates and thereby liberates the Earth-bound with information about the proximal, atemporal universe she inhabits. The artist’s process of worldbuilding is a radical, decolonial act of imagination that is deeply aligned with CDM’s guiding pedagogy of Abolitionist Aesthetics. Presented across CDM's galleries, the groundbreaking exhibition amplifies the work of three foundational artists to CDM and underscores the pivotal roles each played in shaping CDM's inception. Autumn Breon, celebrated for co-curating the space’s inaugural exhibition Yes on R! Archives and Legal Conceptions in 2020, embodies the essence of community-oriented care; Oto-Abasi Attah, the visionary behind the captivating mural paying tribute to Nipsey Hussle, will transform one of the CDM galleries into a grassy space that will be used for communal gathering, collective rejuvenation, and creativity; juice wood established the first Inglewood Community Fridge at CDM and for this exhibition, will provide meticulous documentation of local narratives, effectively preserving and honoring the Inglewood community. Representing a holistic convergence of creativity and care around the central theme, Inglewood &amp; Prototyping the Abolitionist Imagination also sets forth a replicable prototype for fostering care through an abolitionist framework while inviting visitors to engage with the essential fabric of their communities.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/otoabasiattah/dontforgettotouchgrass</loc>
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    <lastmod>2023-10-02</lastmod>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Oto-Abasi Attah, Don’t Forget to Touch Grass. Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Merchandise for “Oto-Abasi Attah : Don’t Forget to Touch Grass”. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Elon Schoenholz.</image:caption>
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      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/55a7da68-d17f-4468-beb2-59154ec5dd11/crenshawdairymart-inglewoodprototypingabolitionistimagination.jpg</image:loc>
      <image:title>Oto-Abasi Attah: Don't Forget to Touch Grass - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE) Presents Inglewood &amp; Prototyping the Abolitionist Imagination  The Three-Part, Culminating Exhibition will Feature Solo Exhibitions by CDM-FAACE Inaugural Fellows Autumn Breon, Oto-Abasi Attah, and juice wood Los Angeles, CA [August 11, 2023] — Crenshaw Dairy Mart is pleased to announce the culminating exhibitions for the inaugural cohort of the Crenshaw Dairy Mart Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE). Organized around the theme, Inglewood &amp; Prototyping the Abolitionist Imagination, and featuring three solo exhibitions by 2022-2023 CDM-FAACE Fellows Autumn Breon, Oto-Abasi Attah, and juice wood, this cogent presentation envisions the future of Inglewood through an abolitionist framework. The first exhibition, Autumn Breon: Essentials, will open on Saturday, August 26, 2023, and remain on view through September 1, 2023. CDM-FAACE is a one-year fellowship program that incorporates the philosophies and ethos of traditional artist residency programs through a distinct abolitionist framework, alongside a robust curriculum with frequent lectures, workshops, and seminars. CDM-FAACE fellows have been introduced to models of collective-care and collective-critique through regular studio visits and group critiques for the duration of this year-long fellowship. Each fellow was provided with access to healthcare insurance for the entirety of their fellowship. They also received a stipend of $100,000 to utilize for living expenses, studio expenses, art supplies, and materials expenses. “Crenshaw Dairy Mart’s selection of Autumn Breon, Oto-Abasi Attah, and juice wood for the inaugural CDM-FAACE cohort honors the collective’s grassroots legacy and the programmatic contributions of all three fellows since its founding, while representing key tenets of the abolitionist framework espoused by CDM’s co-founders. The culminating exhibitions of all three artists work together to prototype a rubric of care within this framework, providing space for healing, access to economies of care, and a way to memorialize the community and honor the past.” - Crenshaw Dairy Mart Engaged around the theme, “Inglewood and Prototyping the Abolitionist Imagination,” each exhibition will present the fellows’ independent research and fieldwork, largely centered around navigating Black community autonomy, community healing, and economies of care. The inaugural 2022–2023 CDM-FAACE fellows, each of whom are Inglewood-born and raised, prototype the abolitionist imagination in their own communities, recognizing the history and people of Inglewood through their respective practices and discourse. The first of three culminating exhibitions, Autumn Breon: Essentials will feature sculpture and video works that invite the audience to interact with relics from “Esoterica”, described by Breon as an extraterrestrial location and the next destination for ancestors when they leave Earth. An interactive piece in the form of a vending machine encourages the viewer to use familiar cues as opportunities to engage with the concept of care.  Video diptychs of Black women adorning themselves incorporate both original and archival imagery. Borrowing from the design of double-paneled altarpieces, these diptychs magnify intimate moments of care into images that are larger than life. The videos frame a singular vending machine supplied with objects that Black women requested in response to the question: “What items represent and provide care?” The pink vending machine is fully stocked with condoms, tampons, pads, edge control, braiding hair, abortion pill resources, and science fiction novels written by Black women. All contents are free of charge. Autumn Breon’s work serves as an intervention to the current culture, as does the character she embodies through her practice – an intermediary entity from Esoterica who educates and thereby liberates the Earth-bound with information about the proximal, atemporal universe she inhabits. The artist’s process of worldbuilding is a radical, decolonial act of imagination that is deeply aligned with CDM’s guiding pedagogy of Abolitionist Aesthetics. Presented across CDM's galleries, the groundbreaking exhibition amplifies the work of three foundational artists to CDM and underscores the pivotal roles each played in shaping CDM's inception. Autumn Breon, celebrated for co-curating the space’s inaugural exhibition Yes on R! Archives and Legal Conceptions in 2020, embodies the essence of community-oriented care; Oto-Abasi Attah, the visionary behind the captivating mural paying tribute to Nipsey Hussle, will transform one of the CDM galleries into a grassy space that will be used for communal gathering, collective rejuvenation, and creativity; juice wood established the first Inglewood Community Fridge at CDM and for this exhibition, will provide meticulous documentation of local narratives, effectively preserving and honoring the Inglewood community. Representing a holistic convergence of creativity and care around the central theme, Inglewood &amp; Prototyping the Abolitionist Imagination also sets forth a replicable prototype for fostering care through an abolitionist framework while inviting visitors to engage with the essential fabric of their communities.</image:caption>
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  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/juicewood/icouldshowyou</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/977844f6-4989-462b-b999-278c513d88fc/Crenshaw-dairy-mart-cdm-faace-juice-wood-elon-schoenholz-i-could-show-you-3.jpg</image:loc>
      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Angel Xotlanihua for Elon Schoenholz Photography.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Angel Xotlanihua for Elon Schoenholz Photography.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Angel Xotlanihua for Elon Schoenholz Photography.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Angel Xotlanihua for Elon Schoenholz Photography.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Angel Xotlanihua for Elon Schoenholz Photography.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/ea2c6349-1d85-4d82-84a3-e3ed7306e9c7/Crenshaw-dairy-mart-cdm-faace-juice-wood-elon-schoenholz-i-could-show-you-38.jpg</image:loc>
      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Angel Xotlanihua for Elon Schoenholz Photography.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Angel Xotlanihua for Elon Schoenholz Photography.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Angel Xotlanihua for Elon Schoenholz Photography.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Documentation of Exhibition Opening. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Gio Solis.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>juice wood, I Could Show You.., Installation View. 2023. Courtesy of the artist and Crenshaw Dairy Mart. Photographed by Angel Xotlanihua for Elon Schoenholz Photography.</image:caption>
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      <image:title>juice wood: I Could Show You.. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Crenshaw Dairy Mart Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE) Presents Inglewood &amp; Prototyping the Abolitionist Imagination  The Three-Part, Culminating Exhibition will Feature Solo Exhibitions by CDM-FAACE Inaugural Fellows Autumn Breon, Oto-Abasi Attah, and juice wood Los Angeles, CA [August 11, 2023] — Crenshaw Dairy Mart is pleased to announce the culminating exhibitions for the inaugural cohort of the Crenshaw Dairy Mart Fellowship for Abolition and the Advancement of the Creative Economy (CDM-FAACE). Organized around the theme, Inglewood &amp; Prototyping the Abolitionist Imagination, and featuring three solo exhibitions by 2022-2023 CDM-FAACE Fellows Autumn Breon, Oto-Abasi Attah, and juice wood, this cogent presentation envisions the future of Inglewood through an abolitionist framework. The first exhibition, Autumn Breon: Essentials, will open on Saturday, August 26, 2023, and remain on view through September 1, 2023. CDM-FAACE is a one-year fellowship program that incorporates the philosophies and ethos of traditional artist residency programs through a distinct abolitionist framework, alongside a robust curriculum with frequent lectures, workshops, and seminars. CDM-FAACE fellows have been introduced to models of collective-care and collective-critique through regular studio visits and group critiques for the duration of this year-long fellowship. Each fellow was provided with access to healthcare insurance for the entirety of their fellowship. They also received a stipend of $100,000 to utilize for living expenses, studio expenses, art supplies, and materials expenses. “Crenshaw Dairy Mart’s selection of Autumn Breon, Oto-Abasi Attah, and juice wood for the inaugural CDM-FAACE cohort honors the collective’s grassroots legacy and the programmatic contributions of all three fellows since its founding, while representing key tenets of the abolitionist framework espoused by CDM’s co-founders. The culminating exhibitions of all three artists work together to prototype a rubric of care within this framework, providing space for healing, access to economies of care, and a way to memorialize the community and honor the past.” - Crenshaw Dairy Mart Engaged around the theme, “Inglewood and Prototyping the Abolitionist Imagination,” each exhibition will present the fellows’ independent research and fieldwork, largely centered around navigating Black community autonomy, community healing, and economies of care. The inaugural 2022–2023 CDM-FAACE fellows, each of whom are Inglewood-born and raised, prototype the abolitionist imagination in their own communities, recognizing the history and people of Inglewood through their respective practices and discourse. The first of three culminating exhibitions, Autumn Breon: Essentials will feature sculpture and video works that invite the audience to interact with relics from “Esoterica”, described by Breon as an extraterrestrial location and the next destination for ancestors when they leave Earth. An interactive piece in the form of a vending machine encourages the viewer to use familiar cues as opportunities to engage with the concept of care.  Video diptychs of Black women adorning themselves incorporate both original and archival imagery. Borrowing from the design of double-paneled altarpieces, these diptychs magnify intimate moments of care into images that are larger than life. The videos frame a singular vending machine supplied with objects that Black women requested in response to the question: “What items represent and provide care?” The pink vending machine is fully stocked with condoms, tampons, pads, edge control, braiding hair, abortion pill resources, and science fiction novels written by Black women. All contents are free of charge. Autumn Breon’s work serves as an intervention to the current culture, as does the character she embodies through her practice – an intermediary entity from Esoterica who educates and thereby liberates the Earth-bound with information about the proximal, atemporal universe she inhabits. The artist’s process of worldbuilding is a radical, decolonial act of imagination that is deeply aligned with CDM’s guiding pedagogy of Abolitionist Aesthetics. Presented across CDM's galleries, the groundbreaking exhibition amplifies the work of three foundational artists to CDM and underscores the pivotal roles each played in shaping CDM's inception. Autumn Breon, celebrated for co-curating the space’s inaugural exhibition Yes on R! Archives and Legal Conceptions in 2020, embodies the essence of community-oriented care; Oto-Abasi Attah, the visionary behind the captivating mural paying tribute to Nipsey Hussle, will transform one of the CDM galleries into a grassy space that will be used for communal gathering, collective rejuvenation, and creativity; juice wood established the first Inglewood Community Fridge at CDM and for this exhibition, will provide meticulous documentation of local narratives, effectively preserving and honoring the Inglewood community. Representing a holistic convergence of creativity and care around the central theme, Inglewood &amp; Prototyping the Abolitionist Imagination also sets forth a replicable prototype for fostering care through an abolitionist framework while inviting visitors to engage with the essential fabric of their communities.</image:caption>
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    <loc>https://www.crenshawdairymart.com/exhibitions/openstudio/cedricmizero</loc>
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    <lastmod>2023-08-27</lastmod>
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      <image:title>Cedric Mizero : Open Studio - Make it stand out</image:title>
      <image:caption>Cedric Mizero, Open Studio. Installation View. 2022. Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>Cedric Mizero : Open Studio - Make it stand out</image:title>
      <image:caption>Cedric Mizero, Protection 5, Photograph printed on canvas and embellished with red beads and medallions, 40” x 69”, 2022. Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>Cedric Mizero : Open Studio - Make it stand out</image:title>
      <image:caption>Cedric Mizero, Protection 5, Photograph printed on canvas and embellished with red beads and medallions, 40” x 69”, 2022. (Detail). Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>Cedric Mizero : Open Studio - Make it stand out</image:title>
      <image:caption>Cedric Mizero, Blue Jacket, Sculptural jacket embellished with rosaries, dimension variable, 2019. Courtesy of the Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>Cedric Mizero : Open Studio - Make it stand out</image:title>
      <image:caption>Cedric Mizero, Blue Jacket, Sculptural jacket embellished with rosaries, dimension variable, 2019. (Detail). Courtesy of the Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>Cedric Mizero : Open Studio - Make it stand out</image:title>
      <image:caption>Cedric Mizero, Protection 4, Photograph printed on canvas and embellished with green/red beads and medallions, 40”x69”, 2022. Courtesy of the Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>Cedric Mizero : Open Studio - Make it stand out</image:title>
      <image:caption>Cedric Mizero, Silver Dress, Sculptural dress embellished with medallion, dimension variable, 2019. (Detail). Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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      <image:title>Cedric Mizero : Open Studio - Make it stand out</image:title>
      <image:caption>Cedric Mizero, Protection, short film, 9 minutes 5 seconds, 2020. (Detail). Courtesy of Crenshaw Dairy Mart Gallery.</image:caption>
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    <loc>https://www.crenshawdairymart.com/exhibitions/yesonryesonjshutdownmcj</loc>
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    <lastmod>2023-11-14</lastmod>
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      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
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      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
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      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
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      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
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      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
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      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
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      <image:title>Yes on R! Yes on J! Shut Down MCJ! A Decade in Abolitionist Aesthetics - Make it stand out</image:title>
      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1c1bbf4c-0048-442e-bd9e-218a75c0dc82/LBMA-2023-11-06_027.jpg</image:loc>
      <image:title>Yes on R! Yes on J! Shut Down MCJ! A Decade in Abolitionist Aesthetics - Make it stand out</image:title>
      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/4bc23c36-5c27-4546-9d5b-2476db712aa6/LBMA-2023-11-06_028.jpg</image:loc>
      <image:title>Yes on R! Yes on J! Shut Down MCJ! A Decade in Abolitionist Aesthetics - Make it stand out</image:title>
      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/17b6bfb6-845a-49c3-9f15-afa4dc8d4723/LBMA-2023-11-06_025.jpg</image:loc>
      <image:title>Yes on R! Yes on J! Shut Down MCJ! A Decade in Abolitionist Aesthetics - Make it stand out</image:title>
      <image:caption>Image Courtesy of Long Beach Museum of Art and Crenshaw Dairy Mart. Photo by Jeff Mclane.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/noe-olivas-gilded-dreams</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1709233395653-8X3ZOHWAVAX8QSB1BV3S/09__DSC2626-Edit.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/3d3dbf99-4451-4b43-b6f2-5e92bf1af31f/09__DSC2626-Edit.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Gilded Dreams (February 28 - March 31, 2024), installation view at Crenshaw Dairy Mart Gallery, Inglewood, CA. Courtesy of the artist, Crenshaw Dairy Mart Gallery, and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/060900e3-3bf3-4983-b397-30d1ff97bc18/10__DSC2634-Edit.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Gilded Dreams (February 28 - March 31, 2024), installation view at Crenshaw Dairy Mart Gallery, Inglewood, CA. Courtesy of the artist, Crenshaw Dairy Mart Gallery, and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/afd7ccfc-c6a9-48e5-b2d9-a212df92a6c9/22__DSC2682-Edit.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Gilded Dreams (February 28 - March 31, 2024), installation view at Crenshaw Dairy Mart Gallery, Inglewood, CA. Courtesy of the artist, Crenshaw Dairy Mart Gallery, and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/bfdbed26-4aa1-4c3a-afb1-b0d05a1b4a14/11__DSC2643-Edit.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Gilded Dreams (February 28 - March 31, 2024), installation view at Crenshaw Dairy Mart Gallery, Inglewood, CA. Courtesy of the artist, Crenshaw Dairy Mart Gallery, and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/8fe270a8-a24f-4317-b8ba-8b228bb32017/Gilded+Dreams+detail+1+LARGE.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Gilded Dreams (2024), powder coated steel fence, 96 ft. 11 5/16 in. x 6 in. x 9 ft. 5 in. Courtesy of the artist and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/0b28d817-f974-4945-a7c2-4b1ec35e0566/21__DSC2675.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Gilded Dreams (2024), powder coated steel fence, 96 ft. 11 5/16 in. x 6 in. x 9 ft. 5 in. Courtesy of the artist and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/dd7d8c58-655e-40ed-84b4-76b68aa10cf8/Keep+Your+Head+LARGE.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Keep Your Head to the Sky (2024), oil on upholstered burlap, 40 x 50 in. Courtesy of the artist and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c1dce2b7-0a3c-4024-8b66-94a63c235dea/Keep+Your+Head+LARGE%281%29.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Keep Your Head to the Sky (2024), oil on upholstered burlap, 40 x 50 in. Courtesy of the artist and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/e474c23e-2996-4b7a-bd17-dfef0fddb90c/13__DSC2662-Edit.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Gilded Dreams (February 28 - March 31, 2024), installation view at Crenshaw Dairy Mart Gallery, Inglewood, CA. Courtesy of the artist, Crenshaw Dairy Mart Gallery, and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5fc96461-cd28-4d78-adcb-3e61937c127a/The+Great+Spirit+Will+Come+Again+still+image.png</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, The Great Spirit Will Come Again (2022), performance for video, 14:49 min. Videography by Star Montana. Courtesy of the artist and Charlie James Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/9431273a-78df-4bd5-a5f4-1b040ad1f36f/08__DSC2620.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, ¡ándale! ¡ándale! ¡arriba! ¡arriba! ¡epa! ¡epa! ¡epa! yeehaw! (2018), custom steel toe Diehard skates, size 9, left: 4 ¼ x 11 ⅛ x 46 ½ in., right: 4 ¼ x 11 ⅛ x 42 in. Courtesy of the artist. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/bef3d8b0-e90d-43e2-9141-9c83ee8d9011/+%E2%80%8B%C2%A1%C3%A1ndale%21+landscape+LARGE.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, ¡ándale! ¡ándale! ¡arriba! ¡arriba! ¡epa! ¡epa! ¡epa! yeehaw! (2018), custom steel toe Diehard skates, size 9, left: 4 ¼ x 11 ⅛ x 46 ½ in., right: 4 ¼ x 11 ⅛ x 42 in. Courtesy of the artist. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/ea8dbd66-99b4-4dbd-9771-6fafd670ad98/15__DSC2667.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Tire Blowout (2024), terracotta clay and white marble chips, 31 x 15 x 16 in. Courtesy of the artist and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/bdba0190-0a53-4575-9da4-c774d6c816fa/16__DSC2668.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Tire Blowout (2024), terracotta clay and white marble chips, 34 ½ x 27 x 9 ½ in. Courtesy of the artist and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/0b6b8481-6e96-42d1-b8d0-adde9a93bbe7/02__DSC2611.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Tire Blowout (2024), terracotta clay and white marble chips, 34 ½ x 27 x 9 ½ in. Courtesy of the artist and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/e0cd439f-32eb-4ba3-a911-f8c354e4d4d0/05__DSC2616-Edit.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Tire Blowout (2024), terracotta clay and white marble chips, 33 x 36 x 9 ½ in. Courtesy of the artist and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/07a17833-55df-430e-a732-effc8e8a3f71/20__DSC2674.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Tire Blowout (2024), terracotta clay and white marble chips, 34 ½ x 27 x 9 ½ in. Courtesy of the artist and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/28183225-c117-4395-99ac-ef23dd1fdde8/23__DSC2693-2.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>noé olivas, Gilded Dreams (February 28 - March 31, 2024), exterior view at Crenshaw Dairy Mart Gallery, Inglewood, CA. Courtesy of the artist, Crenshaw Dairy Mart Gallery, and Charlie James Gallery. Photography by Yubo Dong, ofstudio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d9de29dc-0bb3-423a-a584-8aa86ea2fcf0/no%C3%A9olivas-gildeddreams.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/26dbce7e-c387-4f1e-a076-718a793ebcba/flyer+copy3.jpg</image:loc>
      <image:title>noé olivas: Gilded Dreams - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/freethelandfreethepeople/oralhistoryarchives/prosperitymarket</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1726869946904-V8F7UASUZ2SOE35RHZQ2/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Prosperity Market: Oral History Archive Interviews as part of Free the Land! Free the People!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/98a96c03-5885-479a-83fb-4bdc9c7eca25/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-1.jpg</image:loc>
      <image:title>Prosperity Market: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5fe9958-b206-4bb1-9b40-a4d573b53544/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Prosperity Market: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>Prosperity Market: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Prosperity Market: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5f351ec7-7dc8-4bab-b28b-e90560207a4e/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-5.jpg</image:loc>
      <image:title>Prosperity Market: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>Prosperity Market: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/freethelandfreethepeople</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1724981254421-WD7HS9LLAC692W97JZY3/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Free the Land! Free the People! a study of the abolitionist pod</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/98a96c03-5885-479a-83fb-4bdc9c7eca25/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-1.jpg</image:loc>
      <image:title>Free the Land! Free the People! a study of the abolitionist pod - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5fe9958-b206-4bb1-9b40-a4d573b53544/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Free the Land! Free the People! a study of the abolitionist pod - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>Free the Land! Free the People! a study of the abolitionist pod - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Free the Land! Free the People! a study of the abolitionist pod - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5f351ec7-7dc8-4bab-b28b-e90560207a4e/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-5.jpg</image:loc>
      <image:title>Free the Land! Free the People! a study of the abolitionist pod - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>Free the Land! Free the People! a study of the abolitionist pod - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/freethelandfreethepeople/oralhistoryarchives/socialjusticelearninginstitute</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1726869773439-G4NWTF8AC7RF8KLT77BK/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Social Justice Learning Institute: Oral History Archives as part of Free the Land! Free the People!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>Social Justice Learning Institute: Oral History Archives as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5fe9958-b206-4bb1-9b40-a4d573b53544/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Social Justice Learning Institute: Oral History Archives as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Social Justice Learning Institute: Oral History Archives as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5f351ec7-7dc8-4bab-b28b-e90560207a4e/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-5.jpg</image:loc>
      <image:title>Social Justice Learning Institute: Oral History Archives as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>Social Justice Learning Institute: Oral History Archives as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/freethelandfreethepeople/oralhistoryarchives/humahouse</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1726870031254-FAGW0VKWICJGUR45XY8O/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Huma House: Oral History Archive Interviews as part of Free the Land! Free the People!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/98a96c03-5885-479a-83fb-4bdc9c7eca25/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-1.jpg</image:loc>
      <image:title>Huma House: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5fe9958-b206-4bb1-9b40-a4d573b53544/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Huma House: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>Huma House: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Huma House: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5f351ec7-7dc8-4bab-b28b-e90560207a4e/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-5.jpg</image:loc>
      <image:title>Huma House: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>Huma House: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/freethelandfreethepeople/oralhistoryarchives/wowflowerproject</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1726870130393-38AFBNGHGFI3B72NM62N/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>WOW Flower Project: Oral History Archive Interviews as part of Free the Land! Free the People!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/98a96c03-5885-479a-83fb-4bdc9c7eca25/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-1.jpg</image:loc>
      <image:title>WOW Flower Project: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5fe9958-b206-4bb1-9b40-a4d573b53544/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>WOW Flower Project: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>WOW Flower Project: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>WOW Flower Project: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5f351ec7-7dc8-4bab-b28b-e90560207a4e/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-5.jpg</image:loc>
      <image:title>WOW Flower Project: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>WOW Flower Project: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/oral-history-archive-interview-with-wow-flower-project-copy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1724981254421-WD7HS9LLAC692W97JZY3/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Oral History Archive Interview with WOW Flower Project (Copy)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/98a96c03-5885-479a-83fb-4bdc9c7eca25/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-1.jpg</image:loc>
      <image:title>Oral History Archive Interview with WOW Flower Project (Copy) - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5fe9958-b206-4bb1-9b40-a4d573b53544/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Oral History Archive Interview with WOW Flower Project (Copy) - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>Oral History Archive Interview with WOW Flower Project (Copy) - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Oral History Archive Interview with WOW Flower Project (Copy) - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5f351ec7-7dc8-4bab-b28b-e90560207a4e/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-5.jpg</image:loc>
      <image:title>Oral History Archive Interview with WOW Flower Project (Copy) - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>Oral History Archive Interview with WOW Flower Project (Copy) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/freethelandfreethepeople/oralhistoryarchives/creativeacts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1726870617922-A5I17O7YGEXOBFSV9O9N/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Creative Acts: Oral History Archive Interviews as part of Free the Land! Free the People!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/98a96c03-5885-479a-83fb-4bdc9c7eca25/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-1.jpg</image:loc>
      <image:title>Creative Acts: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5fe9958-b206-4bb1-9b40-a4d573b53544/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Creative Acts: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>Creative Acts: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Creative Acts: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5f351ec7-7dc8-4bab-b28b-e90560207a4e/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-5.jpg</image:loc>
      <image:title>Creative Acts: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>Creative Acts: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/freethelandfreethepeople/oralhistoryarchives/inglewoodcommunityfridge</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1726870345127-SPUTXFESSH0VODU0LU71/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Inglewood Community Fridge: Oral History Archive as part of Free the Land! Free the People!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>Inglewood Community Fridge: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Inglewood Community Fridge: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Inglewood Community Fridge: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>Inglewood Community Fridge: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/freethelandfreethepeople/oralhistoryarchives/plantplug</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1726870502390-FXD64MTUDMDJBTU1AJLE/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Plant Plug: Oral History Archive Interviews as part of Free the Land! Free the People!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/98a96c03-5885-479a-83fb-4bdc9c7eca25/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-1.jpg</image:loc>
      <image:title>Plant Plug: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5fe9958-b206-4bb1-9b40-a4d573b53544/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Plant Plug: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>Plant Plug: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Plant Plug: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5f351ec7-7dc8-4bab-b28b-e90560207a4e/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-5.jpg</image:loc>
      <image:title>Plant Plug: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>Plant Plug: Oral History Archive Interviews as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/exhibitions/freethelandfreethepeople/oralhistoryarchives/communityservicesunlimited</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/1726870713993-MG6HISH3UB0ZB2HKZCX6/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Community Services Unlimited: Oral History Archive as part of Free the Land! Free the People!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/98a96c03-5885-479a-83fb-4bdc9c7eca25/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-1.jpg</image:loc>
      <image:title>Community Services Unlimited: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5fe9958-b206-4bb1-9b40-a4d573b53544/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2.jpg</image:loc>
      <image:title>Community Services Unlimited: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a0733f4b-0308-4fc1-8abf-7b8a55195342/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-3.jpg</image:loc>
      <image:title>Community Services Unlimited: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/b8576f7f-ef67-4146-aca4-1c2379dda4d0/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-4.jpg</image:loc>
      <image:title>Community Services Unlimited: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5f351ec7-7dc8-4bab-b28b-e90560207a4e/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-5.jpg</image:loc>
      <image:title>Community Services Unlimited: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c92cfc69-79f5-4f20-8815-2cf6516b0c86/cdm-free-the-land-free-the-people-pst-animation1-FINALWEBASSET.gif</image:loc>
      <image:title>Community Services Unlimited: Oral History Archive as part of Free the Land! Free the People! - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/end-of-year-letter-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/fe2f28fd-1ae5-49f5-a67e-2aa132959573/CDM_9.26.23-37-crenshaw-dairy-mart.jpg</image:loc>
      <image:title>End of Year Letter from our Executive Director 2024 - Make it stand out</image:title>
      <image:caption>Image Courtesy of Crenshaw Dairy Mart and Elon Schoenholz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/499b9a6c-4e8e-4894-8a58-bcd1e06327fc/1-2.jpg</image:loc>
      <image:title>End of Year Letter from our Executive Director 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/fa205e12-4acd-4cb4-9c15-28a21b6d6311/1-3.jpg</image:loc>
      <image:title>End of Year Letter from our Executive Director 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/a57fff5a-9389-48dd-88d6-3084ebc3437b/CRENSHAW-DAIRY-MART-FREE-THE-LAND-FREE-THE-PEOPLE-2-4.jpg</image:loc>
      <image:title>End of Year Letter from our Executive Director 2024 - Make it stand out</image:title>
      <image:caption>Crenshaw Dairy Mart, Free the Land! Free the People! a study of the abolitionist pod (September 21, 2024 - February 15, 2025), Installation view at Crenshaw Dairy Mart, Inglewood, CA. Courtesy of Crenshaw Dairy Mart. Photographed by Elon Schoenholz and Angel Xotlanihua.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d83333bf-fc73-4519-92c8-a6a18863c293/Screenshot+2024-11-27+at+4.50.38%E2%80%AFAM.png</image:loc>
      <image:title>End of Year Letter from our Executive Director 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/ce81c82f-3420-496d-9a67-52832d80927b/Screenshot+2024-11-27+at+5.02.28%E2%80%AFAM.png</image:loc>
      <image:title>End of Year Letter from our Executive Director 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.crenshawdairymart.com/5-year-report</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/793ffe02-4023-4765-852e-19f8b5249145/CDM_5Year_R5-images-0.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/27bff685-d949-4424-a1fd-071776ccb7fe/CDM_5Year_R5-images-1.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/131393b8-d07e-4519-b324-9607ddc4ea34/CDM_5Year_R5-images-2.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/31d9e972-efb1-4d85-8467-e06a275d51c0/CDM_5Year_R5-images-3.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/269ab0dd-fbe6-4f72-b8c1-57abbe23ea46/CDM_5Year_R5-images-4.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/3b058392-c9b7-4170-b4a7-b2a505003a2b/CDM_5Year_R5-images-5.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/f44f3f80-f9e7-4551-a947-79463e10c118/CDM_5Year_R5-images-6.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/30ee5db1-e38c-41f8-881a-70cdba636f26/CDM_5Year_R5-images-7.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/f1ba1ebe-f136-4bb7-9d64-fb80a62bde06/CDM_5Year_R5-images-8.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/2938645e-713d-4f52-ac58-11bde7046892/CDM_5Year_R5-images-9.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c6bd31be-e18e-439f-83a0-8a4aa169835d/CDM_5Year_R5-images-10.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/d5758d93-babd-4079-b9d4-4209d26c47ca/CDM_5Year_R5-images-11.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/adfbb8ea-9ff2-4214-b939-4f7bde11fb86/CDM_5Year_R5-images-12.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/291696b9-8b71-4025-b40c-2454eb30b7d8/CDM_5Year_R5-images-13.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/c9cea04f-2688-41f1-b640-00ffdbd0ef19/CDM_5Year_R5-images-14.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/0b0ed038-9821-4c50-a993-72f94a2f16fc/CDM_5Year_R5-images-15.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/621681b1-0619-45de-9135-2e30b1486e07/CDM_5Year_R5-images-16.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/88d84c8d-ec3c-4793-b90d-b1b1447c4422/CDM_5Year_R5-images-17.jpg</image:loc>
      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>5 Year Report Second Edition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.crenshawdairymart.com/abolitionist-toolbox-series</loc>
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    <lastmod>2025-11-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/80efb4e8-79d9-42f6-84e3-0598e8f64563/Carousel-Image1+copy.jpeg</image:loc>
      <image:title>Abolitionist Toolbox Series - AI Bias &amp; Surveillance Resistance</image:title>
      <image:caption>Join us for a family friendly day to learn about AI and technology featuring a book reading and workshops for littles and adults. Dr. Avriel Epps will read her new book ‘A Kids Book About AI Bias’ followed by a conversation with Patrisse Cullors about artificial intelligence, systemic biases in technology, and how to support younger generations as they inherit a strange new world. Followed by two workshops: Workshop A) This family-friendly workshop explores how artificial intelligence (AI) makes decisions and how bias can impact fairness in technology. Participants will learn through discussions, hands-on activities, and training their own AI models using Google's Teachable Machine. Real-world examples from social media, hiring, and policing will show why AI bias matters and how it affects people differently. Families will discover ways to make AI more fair and explore careers in ethical AI and technology. No coding experience is needed—just curiosity and a desire to make tech more inclusive! – This workshop is intended for entire families with school-age children to participate. – 15 SLOTS OPEN – Workshop B) Surveillance Resistance: We will explore ways to disrupt surveillance technologies through art. Facilitators: Dr. Avriel Epps and Patrisse Cullors</image:caption>
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      <image:title>Abolitionist Toolbox Series - Wear What You Make: Block Printing and Stitching in the Sun</image:title>
      <image:caption>This hands-on workshop invites participants to slow down, be in community, and build their abolitionist toolbox through the tactile practices of block printing and hand stitching. Together, we’ll explore how making can be both a method of reflection and a practice of liberation. We’ll begin by intentionally arriving together—taking time to connect, reflect, and ease into the space with a few short journal prompts that ground our making in intention, care, and curiosity. From there, participants will learn the fundamentals of both block printing and hand stitching—accessible, transferable skills that can be carried into everyday life and practice. In the final portion of the workshop, participants will bring these methods together by creating wearable or shareable patches that carry messages of joy, memory, resistance, or rest. Facilitators: Kelsey Reynolds and Avery Collins-Byrd</image:caption>
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      <image:title>Abolitionist Toolbox Series - Collage and Assemblage</image:title>
      <image:caption>Join LA-based artists Terrick Gutierrez and Jacqueline Alexander Sykes, of St Elmo Village, for an afternoon full of found object art. Inspired by Noah Purifoy’s work following the 1965 Watts Uprisings, Jacqueline Alexander-Sykes (Executive Director of St. Elmo Village in Mid-City), and LA based artist Terrick Gutierrez have developed an afternoon workshop centering the art of found-object assemblage. Community members will follow the practice of using found objects to tell a story, reinterpreted through their reflections, interests and memories, as well as learn more about the history of the art, and its ties to Los Angeles. Facilitators: Terrick Gutierrez and Jacqueline Alexander Sykes</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/6567dab6-8469-4ea7-9124-f525c50d5b0c/august+10th.png</image:loc>
      <image:title>Abolitionist Toolbox Series - Pass It On: Telling and Hearing Stories for Survival</image:title>
      <image:caption>Stories are a form of human technology and have been essential to keeping alive cultures under siege. From the pulpit to the picnic to the Nobel Prize podium, folks have shared both wisdom and warnings, while also naturally archiving our stories for the next generation. This event invites a storytelling call and response, in the spirit of community. Rooted in ancestor authors Toni Morrison’s and Toni Cade Bambara’s commitments to crafting and heeding stories, we will share and hear our own stories, trusting in their inherent wisdom. Facilitator: Dr. Courtney Baker</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/03d5e3bc-12f7-475e-a21e-f0e85f6c272e/Sept+7.png</image:loc>
      <image:title>Abolitionist Toolbox Series - Financial Literacy: Understanding your Relationship with Money</image:title>
      <image:caption>Get ready to dive deep into your money mindset and gain financial empowerment that will change your relationship with those dollar bills! Financial Literacy. Do you want to learn more?? Every financial challenge holds the key to a lesson—unlock it, and you will grow in both wealth and wisdom. Financial struggles are temporary; the lessons they teach can last a lifetime. Success with money starts with clarity—know where you are, where you want to go, and the steps to get there. Facilitators: Loretta Fields Powell and Javi Merritt</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d54ceae9ce6c90001516251/5bcddab8-bb51-427a-ac8e-63776f993bbd/sitiching.png</image:loc>
      <image:title>Abolitionist Toolbox Series - Stitching Our Stories: A 4-Part Hand Quilting Workshop Series</image:title>
      <image:caption>A hands-on series exploring community, cultural preservation, and storytelling through the slow, shared practice of whole cloth quilting. Inspired by the legacy of the Freedom Quilting Bee and the creative traditions of Black women artists like Faith Ringgold, bell hooks, Alice Walker, and Nikki Giovanni, this four-part workshop series invites participants to slow down, gather in community, and practice the art of whole cloth hand quilting. Together, we will learn simple, powerful stitches and be introduced to basic embroidery and appliqué techniques, while also engaging with short readings and personal writing. Each participant will create their own quilt over the course of the series, which will be shared at a culminating community showcase on Nov 9. Each session blends quilting, reflection, and conversation as we explore how working with fabric can be a means to tell stories and hold memories. This is a space for care, storytelling, and creative inheritance– but also a space for letting go of perfectionism. We will play, improvise, and make with joy. Facilitator: Kelsey Reynolds</image:caption>
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      <image:title>Abolitionist Toolbox Series - Black Being presents Breathing Room: Restorative Practices for Liberation</image:title>
      <image:caption>This Fall, join us as we slow down, breath and lean into our bodies This event is all about showing how freedom and wellness go hand in hand. Through meditation, breathwork, movement, sound, and plant meditation, participants get to explore rest, presence, and resilience. We'll discuss the role of abolition in wellness, connecting personal healing with collective liberation. The goal is to provide education, experiential sessions, invite folks to BlackBeingLA's Community Week, and help folks leave feeling grounded, restored, and inspired. Facilitators: Allison ‘Alli” Simon, Jade Smith, Ché F.M, and Brittany Pollard</image:caption>
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      <image:title>Abolitionist Toolbox Series - Archiving Our Histories: Community Digitization Day with Black Image Center</image:title>
      <image:caption>For our final abolitionist toolbox workshop of the year, we are partnering with Black Image Center and Madelyn Inez, owner and lead archivist of Ode2LA, for a beautiful afternoon of preserving Black and local histories. We’ll be offering free digital archiving services for the community, while fostering intergenerational storytelling, memory sharing, and cultural preservation. Besides hands-on digitization, we will have community collage and scrapbooking stations, where participants can use materials provided to build their own art projects. This workshop will join together the practice of archiving with the opportunity for creative expression and artmaking. This program is great for anyone looking to start their digital archiving journey and those curious about maintaining a personal and family archive. By building our personal and community archives, we can take control of our memories and stories for generations to come. Have a family member or community member that could use some help starting their archiving journey? Bring them in! Facilitator: Madelyn Inez</image:caption>
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    <lastmod>2025-11-20</lastmod>
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      <image:title>CDM Film Festival - CDM Inaugural Film Festival</image:title>
      <image:caption>Miracle Theatre, Inglewood, CA February 17th, 2024</image:caption>
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